Lighting Reviews

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Jon Sienkiewicz  |  Oct 20, 2023  |  0 comments

An exaggeration? Not in my opinion. These two innovative Lume Cube lighting tools are definitely the most fun and most versatile I've ever used. And both are controlled by the Lume Control app and your smartphone, so operation is easy and straightforward.

Jon Sienkiewicz  |  Dec 16, 2022  |  0 comments

The Tamron 20-40mm f/2.8 is extra-compact (3.4 inches long) and super-sharp. It focuses to 6.7 inches and covers the focal lengths street photographers, travelers, video content creators and landscape shooters want most. It’s a new kind of “everyday zoom” that exemplifies versatility and speed.

Jon Sienkiewicz  |  Aug 01, 2019  |  1 comments

The LitraPro is a compact, rechargeable, high-output LED light source that offers a broad spectrum of color temperature settings and is fully dimmable from 0% to 100%. The LitraPro operates up to 45 minutes at the highest power setting and, should you land on it when you fall into a 90-feet deep swimming pool, no problem—it won’t break or suffer water damage. Sounds incredible, no?

Dan Havlik  |  Apr 10, 2018  |  0 comments

Here’s a loosey-goosey studio lighting tutorial from Photo-Me-Ike where he tests out the new Orlit Rovelight 610 TTL system to see if it’s a viable alternative to the popular and relatively inexpensive Flashpoint (aka Godox) system.

George Schaub  |  Jan 24, 2018  |  0 comments

Shutterbug, a member of the Technical Image Press Association (TIPA), once again joined forces with 30 other member magazines from around the world to choose the winners of the annual TIPA Awards for the best photo/imaging products in 40 different categories. The award process began in early 2017 with an initial selection of a wide range of products conducted by TIPA’s Technical Committee, on which Shutterbug’s Editor-at-Large George Schaub serves. 

Jon Sienkiewicz  |  Oct 19, 2017  |  0 comments

If it wasn’t so corny I’d call the LitraTorch a pocket full of sunshine. Instead I’ll call it the future of portable constant lighting for videographers and photographers. 

Steve Bedell  |  Oct 03, 2017  |  0 comments

I doubt anyone could foresee the rapid changes digital technology has brought to photography. As a veteran of the business (40+ years), we have come a long way from the match-needle metering and manual flash units of the past. Heck, I can remember when thyristor circuits were a big deal because they could help us automate flash exposures.

Joe Farace  |  Sep 27, 2017  |  0 comments

“Photography is all about light, composition and, most importantly, emotion.”—Larry Wilder

Jon Sienkiewicz  |  Jul 13, 2017  |  0 comments

Need some professional-looking shots of small items for eBay or website use? Here’s another option with a brand name that’s been around for decades.

Steve Bedell  |  Dec 20, 2016  |  0 comments

When I first heard about the AlienBees DigiBee flash units, my reaction was probably mirrored by many: An AlienBees light with a digital back, what’s to get excited about? And while the new DigiBee might not have all the whiz-bang features of some of the higher-priced lights on the market, there are several hidden surprises that may make you want to take a look.

 

Steve Bedell  |  Nov 18, 2016  |  0 comments

I love testing the new and latest lighting gear. The transformation from the analog to the digital age has meant rapid advancements in both camera and lighting equipment. The advent of the self-contained, battery-powered monolight is one of the prime areas where the manufacturers are all producing lights that are just as capable and easy to use in the field as they are in the studio.

Jon Sienkiewicz  |  Nov 10, 2016  |  0 comments

As the name implies, the Fotodiox LED Studio-in-a-Box is a self-contained tabletop studio that features interior LED lighting that has a daylight color balance of 5600 Kelvin. The CRI, or Color Rendering Index, is 85 (on a scale 0 to 100).

Joe Farace  |  Oct 10, 2016  |  0 comments

In contemporary lighting equipment there are trends and there are fads with some gear seemingly having equal parts of both. And they just aren’t boxes of light anymore; they are lightsabers, small studio lights with big output, and everywhere you look it’s LED lighting in every size, shape, and price.

Joe Farace  |  Feb 05, 2016  |  0 comments

LED lighting is all the rage with the cool kids and why not? It’s continuous and that’s important for new photographers or anyone wishing to capture hybrid—video and still—imagery. It’s also literally cool, with no eyebrow-melting hot lights making subjects uncomfortable.

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