Photoshop How To

A lot goes into making landscape images that look as spectacular on the computer as they did through the viewfinder, and one common challenge is capturing foliage with realistic, vibrant colors.

The history of photography and camera technology is littered with controversies about the “best” way to capture an image. For a while shooters questioned the value of autofocus, then there was a debate regarding the quality of digital images vs. those shot with film.

Copying masks from one image to another is a great way to speed up the editing process. The catch is a common problem that often occurs, and we're going to reveal the simple solution today.

There are a lot of things you have to consider when picking the right photo editor. Recently, another totally new factor has appeared–a brand new operating system from Microsoft that is getting more widespread and is likely to become a new standard. If you are going to switch to Windows 11 and now wonder which photo editor to get, then you’ve come to the right place.

There are plenty of amazing new features in Adobe Camera Raw (ACR), and we featured five hidden tools in a recent post. Today’s tutorial explains how to use a new capability that an experienced pro calls “unbelievable.”

There are numerous ways to employ masks when editing images in Lightroom, some more complicated that others, and we’ve covered many of them in the past. Today you’ll learn a short and sweet trick that delivers big results in hurry.

We’ve posted numerous tutorials in the past explaining why so many accomplished photographers prefer to shoot in Raw, or set their cameras to capture both a Raw file and a JPEG every time they press the shutter button.