One of the most common image-editing tasks is cleaning up a photo by eliminating distracting elements. Until recently the standard approach involved turning to Photoshop’s Object Selection tool, and using or one or more time-consuming options to vaporize and fill the mess.
Creating soft, blurry backgrounds is a popular technique for making subjects stand out from their surroundings. It’s also useful for eliminating clutter, and directing a viewer’s eye to the most important element of a scene.
What if we told you there’s a key on your keyboard that can do a bit of magic in Lightroom? That may sound like a silly claim, but according to a respected pro it’s absolutely true. The tutorial below demonstrates exactly how it works for a variety of important editing tasks.
If you’re like most folks, photographers and “civilians” alike, you probably have a bunch of old family photos lurking in shoeboxes and tattered albums just waiting for some TLC. And because you’re a photographer, relatives will likely solicit your help to restore their often-damaged mementos.
Some photographers have been slow to embrace Lightroom, while others gave it a try and went back to Photoshop. But this trend is changing as more and more shooters become aware of the powerful new tools Adobe has added to Lightroom in recent updates.
The past month has been special for Shutterbug readers thanks to the weekly installments we’ve posted of an amazing free Lightroom masterclass from the PHLOG Photography YouTube channel. Part 1 covered the basics. #2 dealt with masking, and last week’s episode explained the finer points of using Lightroom’s Tone Curve.
This tutorial is about a common image-killing editing error that you may be guilty of yourself, and demonstrates how easy it is to fix. It’s all about using the wrong Lightroom slider for certain simple tasks when there’s a better approach that’s just as easy to implement
Photography is all about maximizing light, and landscape photographers are always at the mercy of prevailing conditions. The quick tutorial below demonstrates how to make necessary adjustments in Lightroom when Mother Nature fails to cooperate.
It’s not uncommon to return from a daylong photo shoot with dozens if not hundreds of images or more. And that means spending hours behind the computer separating rejects from potential keepers before you can begin editing.
We all hear about so-call “hidden” editing tools that deliver great results. But while many of these methods are effective, some are quite familiar to photographers of all skill levels.
Earlier this month we began posting weekly installments of a remarkable new 10-part Lightroom masterclass from our friends at Phlog Photography. Episode #1 covered basic tools for beginners, while Part 2 was all about using masks.
Landscape photographers know that the sky in a scene can make or break a photo. Soft billowing clouds make for compelling imagery, as do dark, threatening skies that evoke a dramatic sense of doom.
Many photographers limit their use of Photoshop’s Crop tool to simple tasks like making subtle adjustments to the composition of a shot, or getting in tighter on the main subject of a photo that was captured without the use of a telephoto lens.
Last week we brought you the premiere episode of a free online photo editing masterclass from our friends at the PHLOG Photography YouTube channel. That one demonstrated Lightroom’s most basic tools.
There are numerous photographers who turn to Photoshop instead of Lightroom to edit their photos, and in the tutorial below we’re going to demonstrate one of the several reasons for this choice. It’s the simple and easy-to-use app built into Photoshop called Adobe Bridge.