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George Schaub  |  Jul 11, 2011  |  First Published: Jun 01, 2011  |  5 comments

Feeling very much in hand like a pro camera, with magnesium alloy top and rear body construction, the Nikon D7000 (list: $1199, body only) has all the bells and whistles of a modern D-SLR, including a high megapixel count CMOS sensor, a new image processor to handle all the data it can capture, including 14-bit NEF, a high ISO 6400 “normal” (expandable two stops), and the currently requisite 1080p HD movie capability. This DX (APS-C) format camera also features dual SD card slots, with spillover or format sort capability, a nice and speedy 6 frames-per-second (fps) shooting capability for up to a 100 frame burst (JPEG), and full-time AF with video and Live View. The monitor is bright and highly readable in just about every lighting condition. Unfortunately, it is fixed and does not articulate, but the penta-prism finder makes one pray that Nikon will never go EVF (electronic viewfinder), yielding 100 percent coverage and being a pleasure to view through, especially after suffering some recent EVF obscuring experiences.

Press Release  |  May 09, 2011  |  0 comments

Photographers conquer the hassle of multiple shoulder bags when they roll with the new PSC100 by CaseCruzer. Snug padded dividers protect sensitive cameras and lenses, while a custom lid containing an interior universal sleeve secures most laptops.

George Schaub  |  Apr 01, 2011  |  1 comments

In the report on the Canon PowerShot G11 (April, 2010, available at www.shutterbug.com) I concluded by saying that it was “an excellent traveling companion.” Ditto on the new G12 ($499, MSRP), the latest iteration of the Canon “G” line of integral lens cameras aimed at the photo enthusiast. In fact, you could ditto many of the form, function, and features of the G12 with the G11, so I will not...

Joe Farace  |  Apr 01, 2011  |  2 comments

The Nikon D3100 ups the D3000’s megapixel ante from 10.2 megapixels to 14.2, adds Live View, video capture, and support for all functions of AI-P Nikkor lenses except autofocus and 3D Color Matrix Metering II.

Jon Sienkiewicz  |  Feb 01, 2011  |  0 comments

We all need a second camera, one that travels with us when the heavy artillery stays at home. There are many premium models to choose from, and most yield results on par with their larger brethren—under certain circumstances.

George Schaub  |  Jan 01, 2011  |  0 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

George Schaub  |  Dec 01, 2010  |  0 comments

The promise of Micro Four Thirds system cameras is that you get the light weight and portability of a smallish point-and-shoot camera with the lens interchangeability and functions of an advanced D-SLR.

George Schaub  |  Oct 01, 2010  |  0 comments

At the recent TIPA (Technical Image Press Association) meeting we had an ongoing debate about how to classify cameras like the new Sony Alpha NEX-3.

Joe Farace  |  Sep 01, 2010  |  0 comments

If you look at Canon’s website you’ll notice that the 18-megapixel EOS Rebel T2i sits between the EOS 50D and the price-point EOS Rebel XS, the latter being a camera I tried and disliked intensely.

George Schaub  |  Sep 01, 2010  |  1 comments

Touted as being shock-resistant, dustproof, freezeproof, and waterproof, the Casio EXILIM EX-G1 camera would seem to be ideal for those who want to take their camera through such extreme conditions without concern.

Joe Farace  |  Jul 01, 2010  |  1 comments

“Happy trails to you, keep smilin’ until then.”—Roy Rogers & Dale Evans

A growing trend in the world of compact digicams is “rugged” cameras that are capable of taking a modest beating as well as splashing in the surf or playing in the snow. Many of these cameras are festooned in bright colors and lest you think that’s just a fashion statement...

Shutterbug Staff  |  Jun 01, 2010  |  0 comments

Many in the digital imaging industry have commented that the line between the features offered on digital cameras and camcorders is blurring. Camcorders still have their value for shooting event-driven occasions, like sports games or recitals, and have zoom ranges that can reach an impressive 78x zoom. However, for more spur-of-the-moment video opportunities, Panasonic offers several...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Joe Farace  |  May 01, 2010  |  1 comments

The new 1D Mark IV is a step up the evolutionary ladder from EOS Erectus, going where all SLRs are heading these days—High-Definition (HD) video capture.

 

Video aside, in today’s D-SLR world a $5000 16-megapixel camera might not seem like such a big deal, especially when the 18-megapixel EOS 7D, also with video capture, sells for $1699. The 1D...

Jason Schneider  |  May 01, 2010  |  0 comments

The first digital Leica M with a full-frame, 24x36mm sensor (active area 23.9x35.8mm), the M9 offers 18-megapixel capture and unrestricted coverage with nearly the entire range of Leica lenses past and present, including extreme wide angles.

 

Perhaps even more important, the M9’s exclusive 18-megapixel CCD, developed by Kodak with input from Leica, has addressed the foibles that...

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