Pro Techniques

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Jay McCabe  |  Jan 01, 2007  |  0 comments

"How do you get a handle on telling the story of life on earth in images? It took tons of research to master the material."

For his most recent book, Life: A Journey Through Time, Frans Lanting traveled, researched, and photographed for over six years, but when you consider that his goal was to document the story of life on earth, it seems a reasonable amount...

Jack Neubart  |  Nov 15, 2006  |  First Published: Dec 01, 2006  |  2 comments

Changing lenses on a digital SLR subjects the interior to invasion by dust and other airborne particles. While we can avoid the problem with prudent handling, eventually we'll have to face the facts: dust will get on the sensor. The imaging sensor, whether CCD or CMOS, is a dust magnet. As soon as the camera is turned on the sensor becomes electrostatically charged. Any...

Jay McCabe  |  Nov 01, 2006  |  0 comments

"Photographers may believe in certain pictures, but they have to have the educated eye of the picture editor."

"We're actually looking at film," David Doubilet says. He's at the offices of National Geographic magazine, going over the take from a recent two-month assignment in the South Pacific. The job was shot with both film and...

Jon Sienkiewicz  |  Nov 01, 2006  |  0 comments

It's impossible to be a serious digital photographer without learning at least a little bit about computers. Some people take to computer technology like kids take to dirt, but many never get beyond e-mail and Photoshop. Don't get me wrong--that's not bad--but when the need to upgrade arises, the folks who are short on computer skills sometimes think...

Howard Millard  |  Sep 01, 2006  |  0 comments

Color can thrill, color can dazzle, but often a black and white or monochrome image is more powerful. Black and white may better convey the feeling you want to evoke for a particular image--more dramatic, more abstract. Paradoxically, even when you know that you want a final photo in black and white, you should shoot digitally in color, as you should scan a film or print...

Jay McCabe  |  Sep 01, 2006  |  0 comments

"None of my sample albums have family formal shots. I intentionally leave them out because they're not what I specialize in."

"A lot of it comes down to your client's expectations before the wedding," Mike Colon says of his relationship to the bride and groom. "You have to talk about what they're really expecting, what...

Chris Maher and Larry Berman  |  Sep 01, 2006  |  0 comments

As a young photographer, Eric Meola's first job after college was assisting Pete Turner. He got the job through the same passionate perseverance that has driven him in countless successful assignments. It helped him create a unique visual style that has carried throughout his entire career.

Shutterbug: After about 18 months of assisting Pete...

Barry Tanenbaum  |  Aug 01, 2006  |  0 comments

In the early 1980s, when he was just starting out as a commercial and advertising photographer, Rob Atkins took a few trips to the Southwest. "I went to photograph the great natural wonders," Rob says, "like the Grand Canyon and Monument Valley." But as he traveled to those and other destinations, something else caught his eye. "So often, out in the...

Jim Zuckerman  |  Aug 01, 2006  |  0 comments

Photography can do two things that no other artistic medium can do: It can freeze motion so we are able to examine every detail in a fast-moving subject, thus revealing things that our eyes could never catch; and it can blur the same subject to express the fluidity and aesthetics of motion. When you blur a subject with a long enough shutter speed, it blends the background with a...

Rosalind Smith  |  Aug 01, 2006  |  0 comments

Imagine living on a beautiful island: Look to your left and see the sun rise in the morning; look to your right and see it set each night.

The secret nuances of color on the horizon where the sky meets the sea and the sea meets the shore have drawn photographer Alison Shaw to Martha's Vineyard off the coast of New England, where she has lived and photographed for...

Joseph A. Dickerson  |  Aug 01, 2006  |  0 comments

It's a well-known tenet that Perspective Control (PC) or tilt/shift lenses are intended for shooting architectural subjects. But who says you have to use them that way?

A PC lens lets you do a certain amount of tilt/shift, rise/fall control, a limited equivalent to a technique that view camera photographers can fully exploit via the...

Stan Trzoniec  |  Aug 01, 2006  |  0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Jay McCabe  |  May 01, 2006  |  0 comments

He figured he'd be one of the last of the holdouts. "When the whole digital revolution started, I thought I'd be the last guy to be shooting digital," David Alan Harvey says. Then along came an offer he didn't want to refuse. "Nikon was working on an ad campaign for their D100, and they asked me if I'd go down to Mexico and shoot with the...

Clint Farlinger  |  May 01, 2006  |  0 comments

As I look over my favorite photographs taken through the years, a common theme intertwines many of them together: serendipity has played a major role in creating those images. Given this, I decided I wanted to be lucky more often (as luck has it, this is actually possible). Recently I read an article about the science behind luck and how luck is not random, but rather something we...

Maria Piscopo  |  Apr 01, 2006  |  0 comments

In my workshops I often get asked, "How do you find digital clients?" I think there is a myth surrounding the word "digital." Photography clients are not really "digital" as a category to target in your marketing. Clients are hiring you to create images and, if it is commercial work, buying the use of those images. If it is consumer, wedding...

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