Pro Techniques

The legal issues of privacy rights and copyrights in photography are usually not covered thoroughly enough in photo schools. Many professionals don't take the time to learn the law. This often leads to confusion and chaos when photographers start selling their work. Whether you are part-time or full-time, amateur or pro, one of the most important legal issues you will...

Capturing the beauty of artwork with a camera has always been a challenge. Sure, it's easy to take a picture of a picture, but to reproduce the full range of colors, textures, and tones that will carry the power of the original, that is a challenge. There is a growing demand for high-quality digital files for juried shows, portfolios, and even for limited edition inkjet...

Two-time American poet laureate and Pulitzer Prize winner Stanley Kunitz collaborated with noted Boston photographer Marnie Crawford Samuelson to translate a man's life and his garden into a profound and touching union.

"Something was obsessing me to want to photograph Stanley Kunitz in that garden on Cape Cod," Crawford Samuelson says, "a chance...

I started out my photographic career in 1980 and studied with some of the most prominent photographers of our time. I learned to previsualize my images and was rewarded with perfectly "zoned" black and white negatives. However, I was never satisfied with my black and white prints. I always wanted more and felt something was missing. I began translating the negative...

In 30 years of taking photographs I have always been more or less indifferent to the camera I use. Various instamatics have been my mainstay, and sometimes I end up using a disposable camera. I have nothing against a good camera: I own one (with only a 135mm lens), and sometimes borrow others. The indifference to the camera comes from the fact that the images that attract me are...

They call him the picture taker, a humble phrase for a man whose every image is a small miracle. His name is Ken Elkins, retired chief photographer for The Anniston Star in rural Alabama. His new book, appropriately titled Picture Taker (published by The University of Alabama Press), transports us from life as we know it to a world most of us will never encounter.

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Photography has long been a passion and one of my favorite subjects is the classic automobile. My interest is not so much in the mechanical aspects but in their design and form. Since I was introduced to the magical world of digital I have developed a new approach to this subject matter, one that extracts the car from its surroundings and considers it as an object of beauty onto...