Lens News

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Joe Farace  |  Mar 14, 2017  |  0 comments

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

Ron Leach  |  Mar 08, 2017  |  0 comments

Last week we wrote about What The Lens, a new website designed to help Canon shooters choose the lens that’s best for their style of photography. If that brand-specific tool left you in the dark fear not, because the video below provides some great advice on lens choice regardless of the camera you own.

Ron Leach  |  Mar 07, 2017  |  0 comments

Last fall during Photokina we ran a report on the weirdest lens we’ve ever seen, the Laowa 24mm f/14 2X Macro from Venus optics. And now, although there is still no information on availability or price, the Chinese company has released three short videos illustrating the capabilities of the lens.

Ron Leach  |  Mar 03, 2017  |  0 comments

Shopping for new gear is always exciting, but choosing among the myriad of options available can be a tedious and time-consuming task. Now thanks to the new website What The Lens, finding a lens that’s ideal for your style of shooting is easier than ever before.

Ron Leach  |  Mar 03, 2017  |  0 comments

Weird Lens Guru Mattieu Stern is at it again with this DIY project explaining how to make a Lenbaby style tilt-shift lens for a mere $30. All you need is a cheap vintage Soviet Helios lens, a rubber tube, and you’re good to go.

Ron Leach  |  Feb 23, 2017  |  0 comments

Given a choice between a fast 85mm f/1.4 prime lens and a fast-and-versatile 70-200mm f/2.8 zoom, which lens would you choose to shoot outdoor portraits? While the answer may seem obvious, experienced portrait photographer Manny Ortiz decided to find out by taking both lenses along to shoot his pretty wife Diana against a backdrop of the Chicago skyline.

Ron Leach  |  Feb 21, 2017  |  0 comments

Sigma has expanded their popular Global Vision lens line with the introduction of two new zooms and two high-speed primes, including the 14mm f/1.8 DG HSM Art that is the world’s first ultra-wide, full-frame lens with an f/1.8 maximum aperture.

Joe Farace  |  Feb 21, 2017  |  0 comments

Capturing “the decisive moment” is more than just clicking the shutter at the right time and it’s more than luck, too. It’s an artful combination of experience, talent, and preparation. Being prepared for the unexpected is just as important to photojournalists and documentary photographers as it is to a Scout and that includes selecting and using gear that can be deployed at that right time, even if preparing for a single shot or two takes several hours. Some of these tools may be obvious while others not so much.

Joe Farace  |  Feb 17, 2017  |  0 comments

There’s no more iconic focal length in Nikon folklore than 105mm. I remember the day in the 1980s when I purchased the legendary Nikkor 105mm f/2.5 lens (at prices that seem ridiculously low these days) from Denver’s Robert Waxman Camera and thought I’d finally made it. I felt some of that same rush of excitement when I picked up the new AF-S Nikkor 105mm f/1.4E ED lens ($2,196). While designed for FX (full frame) Nikon F-mount SLRs, it can also be used on their DX cameras that use APS-C-sized sensors, where it produces a 157.5mm equivalent field of view.

Jon Sienkiewicz  |  Feb 16, 2017  |  0 comments

It was portrait shooter’s paradise with two new Sony lenses this week. The 100mm STF is a veritable bokeh machine, while the FE 85mm f/1.8 is a budget-friendly, professional quality portrait lens. Sony invited a small group of editors to a private studio and assured us that we were the first journalists in the world to shoot with this new glass.

Jon Sienkiewicz  |  Feb 09, 2017  |  1 comments

If you’re into high quality glass, this is the kind of lens you can get lost in. Build quality is exceptional, performance is outstanding and…I’m getting ahead of myself, but you’ll see the world in a whole new way when you use this lens.

Dan Havlik  |  Feb 08, 2017  |  0 comments

We’re currently at the WPPI show in Las Vegas where the brand new Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is making its debut. Because, unlike in years past, WPPI is scheduled prior to the big CP+ Imaging Show in Japan, breaking product news has been light so far.

Dan Havlik  |  Feb 08, 2017  |  0 comments

Every year lately, Canon sends out an image from the Super Bowl showing the majority of sports photographers at the big game using the company’s familiar “white” professional lenses. And this past Super Bowl, as you can see in the above image from the game, the number of Canon shooters seems to have grown.

Ron Leach  |  Feb 07, 2017  |  0 comments

Tamron has provided a new option for photographers looking for a fast telephoto zoom lens, with the introduction of the SP 70-200mm f/2.8 Di VC USD G2 lens. This is a second-generation model, and is said to dramatically improve upon its predecessor with significantly faster autofocus, improved image stabilization, and enhanced optical quality.

Jon Sienkiewicz  |  Feb 02, 2017  |  0 comments

Unless you’re completely new to photography, you’ve heard about Lensbaby, the marvelously creative series of lenses that are best described as intentionally unsharp and stuffed with almost every imaginable aberration and distortion. The Lensbaby Trio 28 is the latest model, and it has a secret. 

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