Lens News

Laowa’s newly introduced 100mm macro lens offers 2:1 reproduction ratio and a fast f/2.8 aperture. The specifications for this manual focus lens are impressive—but does it deliver, and does it deserve its $449 price tag? We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries.

Go long or go home? It's not always that simple when it comes to using telephoto lenses to get close to your subject. In fact, using longer lenses in photography can be harder than it looks.

Tamron unveiled the new the SP 35mm F/1.4 Di USD (Model F045) for full-frame DSLR cameras this morning. The new fixed focal length "prime lens," which was announced as under development in February, is designed to celebrate the 40th anniversary of Tamron's SP Series lenses.

What's the ultimate lens for street photography? What's the worst lens? Could the 24-70mm F/2.8 be both good and bad for shooting street? All these questions (and more) are answered in the below video from photographer Pierre T. Lambert.

When shooting street photography, you're supposed to be quiet, unobtrusive and discreet, right? So, naturally, you should use compact fast prime lenses that don't attract much attention. But what if you wanted to use a long zoom lens, such as a 70-200mm? Impossible?

The Sony FE 24-70mm F2.8 GM and Tamron 28-75mm f/2.8 Di III RXD lenses share a similar focal length, and both can be used with Sony's full frame mirrorless E-mount cameras. But they differ dramatically in price.

The story here is not that you should carry a wide-angle lens—or even better, several of them. I carry two or three wide-angle lenses routinely, and like me, I'm sure you realize their value and their importance. This lens how-to story is about ideas for how you can use them to maximize their creative potential and their stunning effect.