Printer News

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Joe Farace  |  Nov 29, 2012  |  1 comments

There are two general types of inkjet printers available—dye ink and pigment ink. While pigments have the reputation of delivering longer print life, dye inks have the advantage of producing more vibrant colors. The longevity differences are not as much of an issue as they once were, however, with dyes making strides in that direction; in fact, in the case of the Artisan 1430, Epson is claiming up to 200 years in storage, and 98 years on display, and that certainly rivals pigment durability.

Edited by George Schaub  |  Sep 18, 2012  |  First Published: Aug 01, 2012  |  3 comments

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

George Schaub  |  Apr 06, 2012  |  First Published: Mar 01, 2012  |  2 comments

The new Canon PIXMA PRO-1 is a 13x19” pigment-ink printer that makes fine quality prints in a price range that could be considered quite fair for what you get ($999). Aimed at avid photographers and enthusiast printmakers, as well as pros choosing to do their own mid-size prints, the PIXMA PRO-1 fills a void left by HP’s abandonment of the category and directly challenges Epson. The printer offers ease of use, solid performance, 12 ink cartridges, and all in all seems to improve upon 13” printers of the past. Our tests were aimed at determining if the PIXMA PRO-1 could be a solid contender in its class and if there were upgrades or new workflow techniques that would differentiate it from the competition.

David B. Brooks  |  Mar 14, 2012  |  First Published: Feb 01, 2012  |  12 comments

Pigment inks, CD disc printing, and moderate cost have kept me a loyal user of Epson Stylus Photo printers. I attribute this to the different set of ink colors compared to what’s found in Epson’s professional pigment-ink printers. With the R1900, and now the new R2000, besides the standard cyan, magenta, and yellow, there is red, blue, and orange ink in the set. I find this is favorable to reproducing all my favorite photography subjects, including people, flowers, and landscapes. But, you might ask, without support for black-and-white grayscale printing, how do I get by? Well, I actually use my R1900 to print black-and-white images and a good part of my testing with the R2000 involved printing black-and-white photographs as well.

George Schaub  |  Aug 18, 2011  |  First Published: Jul 01, 2011  |  1 comments

I took on this review assignment because I’ve had considerable history with printing, both silver and digital, and printing with Epson printers. Over the past few years this interest has led me on an odyssey through various printers, profiling, and a considerable amount of (early) frustration. My emphasis has been on monochrome printing and those who share in this interest and who have attempted black-and-white printing in the past understand the numerous obstacles it can present. Those include, but are not limited to, unwanted color casts, gloss differential in deep black areas and some tonal borders, poor deep black reproduction (accompanied by equally poor highlight repro), a lot of poor paper surfaces, and the hassle and waste of switching from matte black to photo glossy inks. Color printers face these as well, plus the challenges of color balance, casts, skin tone reproduction, highlight bias, green shadows, and more. Of late I have printed with the Epson Stylus Pro 3800, 3880, and 4800 models, the 3800 being my studio workhorse for years and the 3880 the model that many photo schools and workshops at which I’ve taught use as a mainstay student and production printer.

Shutterbug Staff  |  Apr 01, 2011  |  0 comments

Many photographers want, need, and hope for a practical, affordable digital solution that can produce instant on-the-go prints. Enter the HiTi P110S PocketStudio.

Shutterbug Staff  |  Feb 01, 2011  |  0 comments

Many photographers want, need, and hope for a practical, affordable digital solution that can produce instant on-the-go prints. Enter the HiTi P110S PocketStudio.

George Schaub  |  Jan 01, 2011  |  0 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

Sally Wiener Grotta and Daniel Grotta  |  Nov 01, 2010  |  0 comments

One of the most popular and beloved inventions of the 20th century was the Polaroid camera. Press the shutter, wait a few seconds or a minute, and voila! an instant black-and-white or color photograph miraculously appears.

George Schaub  |  Sep 01, 2010  |  0 comments

Canon’s latest entrants in the 24” segment are the iPF6350/iPF6300 imagePROGRAF printers, essentially the same except for the addition of an 80GB hard drive on the iPF6350 that can store information on jobs and images themselves.

Jon Canfield  |  Jul 01, 2010  |  0 comments

Among digital photographers who are looking for quality prints with a good archival life, odds are that you’ll hear the Epson name mentioned, including the 13” R2880 and 17” and larger Stylus Pro printers. The Epson line is known for excellent quality output on a variety of media types, as well as a long archival life through their pigment inks. Recently, Epson added two new...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Jon Canfield  |  Jun 01, 2010  |  0 comments

There are a couple of new printers aimed at the event photographer market, and there are plenty of media options as well for snapshot to fine art printers. And, the photo book industry is taking off—there were more book printing options available than ever before, both for the portrait/wedding photographer with companies like Fujifilm, HP, Kodak, and Lucidiom all having offerings in both...

Sally Wiener Grotta and Daniel Grotta  |  Apr 01, 2010  |  1 comments

While most of us produce an occasional flurry of snapshot-sized or picture-frameable prints, some photographers are in the business of generating dozens, scores, or hundreds of prints at one go. Part of the package—and fun—of event photography (weddings, bar mitzvahs, trade shows, business meetings, school pageants, costume parties, and so on) is passing out or selling just-shot...

Jon Canfield  |  Apr 01, 2010  |  0 comments

Epson’s 17” Stylus Pro 3800 has been one of the most popular printers in its size for the past three years. With a good combination of price and size, this C-sized printer has filled the needs of photographers looking for the ability to print 17x22” on a variety of media without the bulk or expense of a large format printer.

 

Since the introduction of the 3800, Epson has...

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