Lighting News

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Steve Bedell  |  Nov 26, 2013  |  First Published: Oct 01, 2013  | 

Portrait photographers are constantly looking for new lighting gear that will make their lives easier and produce great results. And while flash photography has been the studio standard for many years, it’s always been more difficult to previsualize the final effect since the image you see using the modeling lights is not always the same you see once the flash fires. The instant feedback of digital cameras has lessened that worry some, but you can still be in for some surprises. The new breed of LED lights eliminates most of these concerns with true WYSIWYG lighting, and with that in mind I was eager to check out F&V’s new K4000 LED Studio Panel to see how it could be used in my work.

Joe Farace  |  Feb 04, 2014  |  First Published: Dec 01, 2013  | 

Lester A. Dine invented the ringlight for making dental photos in 1952 but today people use them for all kinds of photography. A ringlight is a circular light source that surrounds the optical axis of a lens causing light to hit the subject from different angles, producing soft shadows in much the same manner as a light bank. When photographing people, the unique way that a ring flash renders light also produces a shadowy halo around the subject that’s much beloved by fashion photographers. I use a small ring flash to photograph butterflies, but if you want to photograph people, to paraphrase Jaws Chief Brody, “You’re gonna need a bigger light.”

Joe Farace  |  Sep 20, 2013  |  First Published: Aug 01, 2013  | 

LEDs may represent the future of studio lighting but a number of the currently available options come with a caveat or two for the new professional or aspiring pro. Some LED solutions are affordable but may be too physically small for efficient use in a studio, or they may be large enough but too expensive for the shooter who just wants to dip their toes into the LED waters. Measuring 14x7.5x2.75” and costing less than $200, Flashpoint’s 500C LED Light appears to be a good solution for the LED newbie who wants to see what all the fuss is about.

Joe Farace  |  Apr 26, 2013  |  First Published: Mar 01, 2013  | 

The important characteristics of any studio lighting system are the quantity, quality, and color of the light they produce. Other factors such as recycle time, type of output control, build quality, and the ability to accept accessories may be crucial, but for many of us the most essential element is price. I was impressed by previous Flashpoint monolights (April, 2012, issue of Shutterbug) because they’re rugged, dependable, and significantly, for the advanced amateur and aspiring pro, inexpensive. Now Flashpoint has introduced a new family of monolights—the DG series—that builds upon all of the positive aspects of previous models and takes them in a new direction.

Joe Farace  |  May 14, 2012  |  First Published: Apr 01, 2012  | 

A monolight is a self-contained studio flash that consists of a power supply, flash head, and modeling light wrapped up inside a single housing. Monolights are typically powered by AC current but there are times on location when an electrical outlet may not be so conveniently located and long extension cords can create safety hazards, even when securely fastened down. I’ve had people trip over taped cords and believe me, it can ruin your day. That’s why a new breed of monolights, such as Adorama’s Flashpoint II monolights, offer a DC option with a battery pack when you might be out standing in a field or, at one time during my tests, in a big parking lot. A switch lets you choose between AC or DC power provided by a dedicated Ni-MH battery pack that measures 7x7x3” and weighs 2.65 lbs.

Steve Bedell  |  Oct 03, 2017  | 

I doubt anyone could foresee the rapid changes digital technology has brought to photography. As a veteran of the business (40+ years), we have come a long way from the match-needle metering and manual flash units of the past. Heck, I can remember when thyristor circuits were a big deal because they could help us automate flash exposures.

Jon Sienkiewicz  |  Nov 10, 2016  | 

As the name implies, the Fotodiox LED Studio-in-a-Box is a self-contained tabletop studio that features interior LED lighting that has a daylight color balance of 5600 Kelvin. The CRI, or Color Rendering Index, is 85 (on a scale 0 to 100).

Steve Bedell  |  Feb 04, 2014  |  First Published: Dec 01, 2013  | 

GamiLight has been in the business of making light-shaping accessories for small, dedicated flash units like the ones from Nikon, Canon, Metz, etc., and has recently broadened their lineup. I had heard about their products and thought I’d give them a try, so they responded by sending me just about every modifier they make. I received their Square 43 with the Soft Plus 43 adapter, the Box 60, the Spot 2, the Event Pro, and a few mounts. As we go through this review I’ll let you know what these are all about, but my tests were aimed at determining how effectively the units work, how well they are made, how convenient they prove out in the field, and, most importantly, whether I should consider buying them to solve some of my lighting issues.

Joe Farace  |  Oct 19, 2014  | 

This report and product roundup is based on my visit to this year’s WPPI Expo, a show popular with portrait, event, and wedding photographers. As I visited the many lighting companies at the show, it became clear that studio and location lighting is going through its biggest changes since the invention of the flash bulb.

Ron Leach  |  Mar 03, 2022  | 

One of the first characteristics many photographers consider when evaluating a lens is how it renders out-of-focus portions of an image. Often referred to as background blur or bokeh, this attribute imparts a unique look and feel to an image that can be very visually appealing.

Joe Farace  |  Jan 23, 2013  |  First Published: Dec 01, 2012  | 

There are lots of companies making speedlight accessories but what makes Graslon’s different from the others are the mirrors. Most speedlight diffusers work in a similar way: translucent material is placed in front of the flash head to scatter light and soften shadows, but many times that light doesn’t scatter and some gets lost. Graslon’s Flash Diffusers use a series of patent-pending mirrors that enlarge the light source before sending it through the diffuser. This allows the light to travel to the corners of the diffuser so that light coming through the diffuser is balanced and, well, diffuse. Two types of diffusers, or lenses, as Graslon prefers to call them, are available: the dome spreads the light everywhere (think bare-bulb effect) to take advantage of bouncing light off walls and ceilings; the flat lens is more directional and useful when you’re using the flash as fill in no-bounce situations. Much like a Zeiss Softar filter it’s covered in hundreds of mini-lenses or bumps that spread the light evenly across its surface.

Dan Havlik  |  Feb 27, 2015  | 

We’ve seen colorful orbs in a light painting before but never as many as the East Coast Light Painting (ECLP) group crammed into a single exposure this past summer. In fact, the Guinness World Records just confirmed that the ECLP set the world record for most complete light orbs in a single exposure with 200 orbs.

Ron Leach  |  Mar 01, 2018  | 

One way to increase the quality of photos taken in a home studio is to use some form of supplemental light to brighten the scene, increase depth of field, and avoid noise and other artifacts that tend to occur when shooting in low light with wide apertures and high ISO settings.

Cynthia Boylan  |  Oct 20, 2014  | 

Created for adventurous types, like those who live to explore the night on a bicycle, skateboard, surfboard (or with SCUBA gear), the Qudos (pronounced kudos) Action light for GoPro cameras helps illuminate the darkness and allows you to capture great videos of your nocturnal adventures. The Qudos Action is a high-powered video light designed specifically for use with Go-Pro 2, Hero3 and Hero3+ cameras, as well as other action cameras that are compatible with GoPro conversion mounts.

Ron Leach  |  Jan 26, 2017  | 

For those of us who don’t have our own photo studios, tabletop photography often involves waiting for a bright overcast day and shooting outdoors with the sky as a giant softbox. While this approach works quite well, sometimes the weather doesn’t cooperate.

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