Lighting News

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Ron Leach  |  Nov 07, 2016  | 

Olympus has unveiled the versatile weatherproof, freezeproof and dustproof Twin Flash STF-8 that will let you keep shooting macro shots in the rain when other photographers run for cover. The sophisticated unit offers full TTL capability as well as auto-sync and the ability to manually select the output power from full all the way down to 1/128.

Cynthia Boylan  |  Dec 31, 2015  | 

KILLSPENCER’s Van Styles Special Edition Camera Straps: KILLSPENCER and Van Styles have teamed up to create two new special edition camera wrist straps. Skillfully handcrafted in KILLSPENCER’s Los Angeles workshop, the product merges functionality with the beauty of minimalist design. The KILLSPENCER x Van Styles Camera Wrist Strap is crafted from durable, stylish black leather and embossed with Van’s logo in two color options: Noir and Gilded. 

Blaine Harrington  |  Oct 27, 2015  | 

When I realized that this column would be in the magazine’s lighting focus issue, I looked at the data for the photos I’d taken earlier this year during a nearly month-long combination of safari workshop, assignment, and stock shoot in Africa. What I found surprised me: I’d used flash on about one-third of the 13,000 photos I’d made on that trip. I had no idea I’d used my Speedlights as often as I had.

Steve Bedell  |  Dec 20, 2016  | 

When I first heard about the AlienBees DigiBee flash units, my reaction was probably mirrored by many: An AlienBees light with a digital back, what’s to get excited about? And while the new DigiBee might not have all the whiz-bang features of some of the higher-priced lights on the market, there are several hidden surprises that may make you want to take a look.

 

Steve Bedell  |  Aug 25, 2011  |  First Published: Jul 01, 2011  | 

Photography is all about light and photographers are always looking at ways to modify it. Visit any studio of a working pro and you’re bound to see softboxes, umbrellas, cones, snoots, grids, beauty dishes, parabolic reflectors, etc. Each has their purpose in changing the shape and/or character of the light. Using the same light source, you can modify it from a sharp, harsh, point light source with distinct shadows to a soft, even light source with very little or no shadows. With that in mind I decided to give one of these modifiers a test, the Paul C. Buff PLM v.2.

Steve Bedell  |  Mar 07, 2012  |  First Published: Mar 01, 2012  | 

Let me tell you about my first experience with a Vagabond Mini. I was teaching one of my lighting workshops, using a flash unit with its battery pack. The light and battery pack were a kit I’d purchased as a combo. We’d been shooting a while and the battery pack was almost dead when one of the other photographers there told me he had a Vagabond Mini in the car. We unhooked my dead battery, and using the AC power cord from the flash unit, proceeded to just plug in to the Mini and keep on shooting! And shooting, and shooting… You see, this thing really supplies a lot of flashes and can be used with many flash units. But let’s start at the beginning…

Cynthia Boylan  |  Mar 06, 2015  | 

The new Pelican 9490 Remote Area Lighting System (RALS) is a self-contained, mobile lighting solution that features a quick release and a rechargeable (swappable) power supply. The 9490 RALS has a suggested retail price of $999.95 and offers up to 6,000 lumens, three preset light levels and up to 24 hours of run time.

Cynthia Boylan  |  Sep 02, 2014  | 

Crafted from type II hard anodized aluminum, Pelican’s durable ProGear (2380R) rechargeable LED flashlight weighs just 6.6 ounces and offers 3 modes: High (305 lumens), Low (30 lumens) and Strobe. Ideal for night photography and various other uses, it is powered by an efficient lithium ion battery allowing it to shine bright for 3 hours and 30 minutes in High mode or up to 25 hours in Low mode. 

Cynthia Boylan  |  Aug 25, 2014  | 

Pelican is now offering 3 new models of safety-approved headlights. They are crafted from lightweight (just over 3 ounces), durable, water and weather resistant polymer. Ideal for night photography, these hands free lights are easy to use and inexpensive to operate, powered by 3 AAA batteries (included). 

 

George Schaub  |  Jan 24, 2018  | 

Shutterbug, a member of the Technical Image Press Association (TIPA), once again joined forces with 30 other member magazines from around the world to choose the winners of the annual TIPA Awards for the best photo/imaging products in 40 different categories. The award process began in early 2017 with an initial selection of a wide range of products conducted by TIPA’s Technical Committee, on which Shutterbug’s Editor-at-Large George Schaub serves. 

Joe Farace  |  Sep 27, 2017  | 

“Photography is all about light, composition and, most importantly, emotion.”—Larry Wilder

Joe Farace  |  Nov 02, 2011  |  First Published: Sep 01, 2011  | 

If Dustin Hoffman’s character in The Graduate were graduating from photo school this year, the advice he would be getting instead of “plastics” would be “speedlights,” and why not? When compared to a monolight, the biggest advantage of using a shoe-mount flash is that they’re small and portable, which means you can take them anywhere. Today’s shoe-mount flashes—or speedlights as camera manufacturers like to call them—are sophisticated, seamlessly blending natural light and flash as well as having the ability to group several flashes together, trip them wirelessly, all the while calculating the correct exposure.

Joe Farace  |  Dec 03, 2013  |  First Published: Oct 01, 2013  | 

When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.

Steve Bedell  |  Jan 25, 2013  |  First Published: Dec 01, 2012  | 

Fresnel lenses are used to focus light. Many of the Hollywood glamour photographers of the 1930s and ’40s used them, most notably George Hurrell for his portraits of many of the screen legends of that era. Hurrell used 8x10 cameras, uncoated lenses, and bulky Mole-Richardson hot lights. You don’t have to go that route, but you can now replicate some of the lighting effects with this new offering from Photogenic.

Joe Farace  |  Jan 10, 2018  | 

“Great things are not accomplished by those who yield to trends and fads and popular opinion.”—Jack Kerouac

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