Lighting News

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Joe Farace  |  Oct 15, 2013  |  First Published: Sep 01, 2013  |  0 comments

Mary and I have fond memories of using early generation Bowens monolights; they were our first really “good” lighting system when we set up our studio in 1982. We loved shooting with those big, black, paint-can-shaped 800B monolights because they were inexpensive, dependable, and powerful. From what I can tell from my tests of their two-light Gemini 400Rx Kit that continues to be the case.

Joe Farace  |  Mar 11, 2014  |  First Published: Jan 01, 2014  |  0 comments

These days it seems that using LED lighting systems for studio portraiture is like puppies and kittens—everybody loves them, and why not? All you need to do is turn on an LED light panel and shoot, right? While there’s obviously more to it than that, the WYSIWYG nature of LED lighting is especially helpful for new or aspiring pros who want to get up and running quickly or in applications where the lighting needs to be consistent so lots of portraits can be made in a short amount of time, something event photographers will take to heart. With that in mind I recently tested Bowens’ Mosaic LED light panels (#1). Originally developed for film and video use, they are available in models designed for mounting on traditional light stands for portraiture, so I put them to work in my home studio.

Cynthia Boylan  |  Aug 13, 2015  |  0 comments

Broncolor has introduced the Beautybox 65, a new take on its classic beauty dish. Joining broncolor's extensive line of light shapers, Beautybox 65 features a collapsible design, 25.6 inches front diameter and a white interior.

Joe Farace  |  May 02, 2014  |  First Published: Mar 01, 2014  |  0 comments

There is something quietly satisfying about working with finely crafted tools. It’s a feeling I remember having back in the film days when making photographs with my first Hasselblad 500C/M camera and one I had again while shooting with Broncolor’s Move 1200 L Outdoor Kit 2. It made creating all of the images that you see here easier and fun to shoot, and it’s in this spirit of play where creativity lives, inspiring a photographer to try new ways to make better photographs. Broncolor’s Move Kit is just that kind of lighting system.

Joe Farace  |  Jan 10, 2012  |  First Published: Dec 01, 2011  |  1 comments

The monolights that I’ve recently tested for Shutterbug combine power supply and flash head into a single unit. Handy, but an alternative approach is using power pack and flash head systems, such as those made by Broncolor (www.bronimaging.com), who offer these components as individual units that can be mixed and matched to produce different lighting setups.

Steve Bedell  |  Nov 18, 2016  |  0 comments

I love testing the new and latest lighting gear. The transformation from the analog to the digital age has meant rapid advancements in both camera and lighting equipment. The advent of the self-contained, battery-powered monolight is one of the prime areas where the manufacturers are all producing lights that are just as capable and easy to use in the field as they are in the studio.

Steve Bedell  |  Jun 01, 2011  |  1 comments

I’m not an equipment snob. That applies to both cameras and lighting gear. I’ve always believed that it’s that gray matter in back of your eyeball that determines whether or not you get a decent image, not the price tag on your gear. I like fast lenses and dislike variable apertures, so I pay for them. With lighting equipment, higher prices usually mean more power, more features and flexibility, and better construction. With that in mind, let’s see what the very reasonably priced Genesis 300 B monolight ($399 with battery) from Calumet offers.

Joe Farace  |  Dec 08, 2011  |  First Published: Nov 01, 2011  |  1 comments

It’s called “continuous lighting” because it’s on continuously, much like a light bulb or the sun for that matter, enabling you to use your in-camera meter to measure the light falling on your subject. Continuous lighting lets you see how all of the light—shadows and highlights—is falling on your subject, but continuous sources sometimes use quartz or photoflood bulbs that can be hot, even dangerously so, leading to the use of the term “hot lights” to describe them. An increasing number of continuous lighting tools are now being made using other kinds of light sources, even LED, producing cool “hot” lights. And that brings us to the subject of this review—the Calumet (www.calumetphoto.com) Pro Series LED Panel Light.

Ron Leach  |  Mar 23, 2018  |  0 comments

Just because you have a camera with a fast and accurate autofocus system, and a bag of lenses to match, that doesn’t mean you should simply depress the shutter button half-way and wait for the green LED to light up. As you’ll see in this tutorial, there’s a lot more to sharp photos than that.

Shutterbug Staff  |  Jul 08, 2015  |  0 comments

Canon announced the new Canon Speedlite 430EX III-RT external flash unit this morning. This compact new Speedlite features – for the first time in the Canon 430EX series – radio-controlled wireless flash shooting capabilities that are designed to make creative light control easier for photographers of a variety of levels.

Shutterbug Staff  |  Feb 25, 2018  |  0 comments

Canon just announced the Canon Speedlite 470EX-AI Flash, which the company is calling “a revolutionary new flash system designed with entry-level and enthusiast photographers in mind.”

Steve Bedell  |  Apr 12, 2012  |  First Published: May 01, 2012  |  18 comments

Photographers all have their favorite light modifiers. Some like umbrellas, some softboxes, others parabolics, and then there’s the beauty dish, which seems to be a combination of a softbox and a parabolic. For those not familiar with the beauty dish, it’s a round but narrow modifier that you attach to your light. Think of it as a parabolic reflector painted white inside and flattened. If you stopped there, and you could, you’d have a pretty harsh light that makes a well-defined circular pattern with distinct shadows. But there is another little modification that makes a very big difference and also softens the light considerably while still maintaining that circular pattern. There is a bulb cover or center bounce dish that blocks the direct light from the flash and bounces it back into the dish. When used this way, the light output sits midway between a softbox and a parabolic.

Jon Sienkiewicz  |  Dec 16, 2022  |  0 comments

The Tamron 20-40mm f/2.8 is extra-compact (3.4 inches long) and super-sharp. It focuses to 6.7 inches and covers the focal lengths street photographers, travelers, video content creators and landscape shooters want most. It’s a new kind of “everyday zoom” that exemplifies versatility and speed.

C.A. Boylan  |  Feb 24, 2012  |  First Published: Jan 01, 2012  |  0 comments

Nik Software Color Efex Pro 4 This is the latest version of Nik’s popular digital photographic filters for image retouching and enhancement. Color Efex Pro 4 is easy to use and offers a new generation of technologies and features that help you to create stunning effects. It has stackable filter combinations, visual presets, filter recipes, and new filters such as Detail Extractor, Vintage Film Efex, and Image Borders. The software also includes a History Browser, improvements to imaging algorithms, greater performance, and enhanced usability. The Color Efex Pro 4 Complete Edition contains 54 filters for a suggested retail price of $199.95. The Select Edition contains 25 filters for $99.95. You may also upgrade to the Complete Edition from any edition of Versions 2.0 or 3.0 for $99.95.

C.A. Boylan  |  Jan 07, 2014  |  First Published: Dec 01, 2013  |  0 comments

Rogue Safari Pop-Up Flash Booster
Designed for use with most modern Canon APS-C or Nikon DX sensor cameras with telephoto zoom lenses (100mm and longer), the Rogue Safari Pop-Up Flash Booster is lightweight and easy to use. This attachment concentrates the light from the camera’s pop-up flash to provide more illumination on subjects as far as 60 to 70 feet away. The light adds up to 8x more than what the unassisted flash provides. Crafted from durable impact-resistant polycarbonate materials, the Rogue Safari Pop-Up Flash Booster does not require batteries and has a retail price of $34.95.

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