Jim Zuckerman

Jim Zuckerman  |  Jun 20, 2014  |  0 comments

One of the first techniques I learned in photography was to use long exposures at night to blur traffic lights. I liked it decades ago, and I still enjoy seeing artful streaks of light superimposed over an urban environment. You never know exactly what the resulting images will look like, and that’s part of the fun. When the background happens to striking, like the Walt Disney Theater in Los Angeles, California (#1), the combination of abstract lights and architecture makes a winning photograph.

Jim Zuckerman  |  Jun 20, 2014  |  1 comments

There are various ways that you can use to focus very close to small subjects. Here is a list of choices.

 

Macro Lenses. You can purchase a lens that is specifically designed to focus closely. These are called “macro” lenses, and they are available in focal lengths between 50mm and 200mm (figure A). They can also focus to infinity so you can use them for landscapes, portraits, etc., but photographers buy them primarily to use in close-up work.

Jim Zuckerman  |  May 28, 2014  |  1 comments

The pearlescent colors that appear in soap bubbles are endlessly fascinating if you take the time to look at them closely. It is chaos at its most beautiful—a random mix of color that, unfortunately, we can’t freeze with our mind to examine any one instant in time. With a camera and flash, however, we can capture these amazing works of art and examine every detail, even though each design lasts only milliseconds.

Jim Zuckerman  |  May 28, 2014  |  1 comments

I have always been fascinated by a photographer’s ability to turn a common subject into a work of art. Being a photographer means seeing the artistic potential in the elements that surround us on a daily basis. I travel all over the world seeking out amazing things to shoot, but I also find them at home—in the kitchen, in my backyard or even in my office. It’s always an exciting discovery to work with a subject to which I never gave a second thought, and then one day it turns into something that is visually arresting.

Jim Zuckerman  |  Apr 24, 2014  |  0 comments
When a flash unit is used as a remote or a “slave,” it is not connected to the camera and it is fired remotely by another flash or by a wireless trigger. For many years the only way to fire an off-camera flash was to connect it to the camera with a PC cord. These cords were never reliable, and too often the flash wouldn’t fire because of a bad connection. In addition, the long cord was always getting in the way. Today it’s such a pleasure to be able to fire remote flash units wirelessly.
Jim Zuckerman  |  Apr 24, 2014  |  0 comments

Photography has taught me to be aware of color, design and patterns, and I am always looking for something interesting to photograph. A few years ago when my wife was making a marble cake, I was drawn to the design in the swirling chocolate and thought it would make a successful abstract shot. I liked the images I took, but I felt more color would make the pictures a lot more interesting.

Jim Zuckerman  |  Apr 24, 2014  |  2 comments
On-camera flash has a bad reputation—and for good reason. In fact, many photographers are turned off to using flash altogether because they don’t like the look of pictures taken when the flash is sitting on the camera. The images look flat, dimensionless, and many subjects look “pasty” with this kind of lighting.
Jim Zuckerman  |  Mar 25, 2014  |  0 comments

I have long been intrigued with kaleidoscopic images, but it’s virtually impossible to photograph into a traditional kaleidoscope because the hole through which you look to see the beautiful designs is too small. Several years ago I figured out how to construct a kaleidoscope that would permit photography, and I’ve always had a lot of fun with it. The cost is around $5-$10, and it can be put together in just a few minutes.

Jim Zuckerman  |  Mar 25, 2014  |  0 comments

There are two ways to travel. You can go with a group or you can travel independently where you plan the itinerary and make the arrangements. One isn’t necessarily less expensive than the other because it depends on so many factors, but the main issue to consider is this: what will you gain by being part of a group versus traveling alone or with a friend or spouse?

Jim Zuckerman  |  Mar 25, 2014  |  0 comments
I have spent a great deal of time and money trying to find the perfect way to travel with my gear. As I buy more lenses, and as computer technology changes, I must re-examine how I carry everything because the volume and shape of my equipment changes.

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