Jason Schneider

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Jason Schneider  |  Dec 10, 2015  |  7 comments

I’ve been collecting cameras for (ahem) well over half a century. But unlike many of my fellow film camera fanatics, I actually use these things to make pictures, which is a lot more fun. That’s why all the cameras on my 10 Favorites list below are prime, high-performance user-collectibles capable of outstanding image quality that can give those digital upstarts a run for the money. Yes, shooting film is a lot less convenient, and more expensive than shooting digital, but if you enjoy being a contrarian, iconoclast or outlier, being a Film Dinosaur is a great way to go.

Jason Schneider  |  Oct 30, 2015  |  0 comments

When applied to humans, the word “character” has two distinct meanings, an oddball or eccentric as in “Fred is a real character” or a morally upstanding person, as in “Charlie is a man of unimpeachable character.” When it comes to machines created by humans, the word “character” conveys a slightly different constellation of meanings, hovering somewhere between “having lovable defects” like an old Model T Ford, and expressing a distinctive personality, like a classic Ferrari.

Jason Schneider  |  Oct 02, 2015  |  0 comments

I’ve been an eBayer since 1998 and I’ll admit that buying cameras on eBay can be seriously addictive. Even better (and even more addicting): you can occasionally snag great deals!

Jason Schneider  |  Aug 17, 2015  |  1 comments

Over the past few years an amazing transformation has been taking place in photographic lens design. As a result, scores of innovative new interchangeable lenses have recently been announced by major camera manufacturers, and by optical specialty companies such as Sigma, Tamron, and Tokina.

Jason Schneider  |  Jul 20, 2015  |  0 comments

The flash bracket has become the “forgotten accessory” in photography but it’s still an essential tool if you’re looking to achieve consistent studio-quality lighting on the fly.

Jason Schneider  |  Jul 20, 2015  |  1 comments

If you read our story on "7 Reasons You Still Need a Flash Bracket for Photography," perhaps you’ve decided it’s time to purchase one of these photography workhorses. Here are our recommendations for 8 Great Flash Brackets to help you achieve studio-quality lighting on the fly.

Jason Schneider  |  Jan 28, 2015  |  0 comments

I’m hardly what you’d call a Film Dinosaur. Over 98% of the images I shoot are captured digitally. But, after I recently ran a dozen rolls of Kodak Tri-X 120 through some ancient medium-format roll film cameras, and had it developed, scanned, and printed on Fuji Crystal Archive photographic paper, I’m a much better digital photographer because of it.

Jason Schneider  |  May 20, 2014  |  First Published: Apr 01, 2014  |  0 comments

Given that the physical and perceptual experience of making a photograph is shaped by technology, and that technology is also embedded in the resulting images, one of the chief and perhaps most profound changes in how we make an image has been the changes in focusing—and recently autofocusing—technology. There’s a reason that the documentary photojournalism of Lewis W. Hine (shot with a ponderous 5x7 view camera or a 4x5 Graflex SLR) has a qualitatively different feel from that of Alfred Eisenstaedt or Henri Cartier-Bresson (shot with pocket-sized 35mm rangefinder cameras). It’s not only framing—it’s responsiveness, spontaneity, and, perhaps, repose, that underlies what these image-makers showed us.

Jason Schneider  |  Jul 02, 2012  |  First Published: May 01, 2012  |  0 comments

As advanced electronics continue to supplant more and more elements of camera function and design, often displacing optical and mechanical systems, the camera of the future is being redefined. To give you a clearer picture of the emerging technologies that are destined to change the shape of cameras to come, let’s take a closer look at the implications of some of the emerging new tech found in the latest models.

Jason Schneider  |  Oct 26, 2011  |  First Published: Sep 01, 2011  |  0 comments

The performance parameters of today’s cameras are flat-out astonishing. Many current entry-level and middle-tier D-SLRs provide image sensors with resolutions ranging from 12-18 megapixels (MP), burst rates of 5-7 fps, and full 1080p HD video capability. Sophisticated digital point-and-shoots are not far behind, with 10-14MP sensors, 720p or 1080p HD video, and respectable burst rates in the 3-5 fps range. Needless to say, pro and prosumer D-SLRs often exceed even these incredible specs, with sensors in the 20-25MP range, blistering burst rates up to 10 fps, deep buffers, and phenomenally rapid image processing software. Not surprisingly, flash memory manufacturers have responded with a veritable explosion of high-capacity, high-speed memory cards with incredible write speeds and an array of enhancements aimed at increasing reliability and security.

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