Videos

If you want to really turn heads with your portraits, you might consider giving them a little glow. Yes, this can be done in-camera in radiant backlit or direct window light shooting scenarios, but you can also add an awesome glow to portraits in post-processing. In the below tutorial from f64 Academy, Blake Rudis shows you how.

Is it necessary to have an expensive professional camera to shoot boudoir photography? Or is it possible to get by with just an entry-level, beginner camera for boudoir?

By now you probably know that the current trend in camera technology is strongly in favor of mirrorless models. In fact, apart from Pentax, all manufacturers are avoiding new DSLR models while continually upgrading their lineup of mirrorless cameras and lenses.

We all fall into a creative rut on occasion, and that’s often because we take the same approach to whatever we shoot. For portraits we typically reach for a short telephoto, and a wide-angle lens is usually our choice for landscape photography.

Which lens is better for portraits, a 35mm or 50mm prime lens? That's a question many photographers ask and one that Mitch Lally attempts to answer in the below lens comparison portrait test.

Photoshop users know that Vibrance and Saturation are similar but not quite the same, and these tools can be employed separately or together for different purposes. Lightroom, on the other hand doesn’t have a Vibrance tool, and if that sounds crazy just take a look; all you’ll find is a Saturation slider.

One of the most daunting challenges in Photoshop, regardless of your skill level, is doing a precise job of cutting out hair and fur. But in today’s tutorial you’ll learn a remarkably easy trick for achieving great results.