Lens Reviews

Have you heard about Sigma’s lineup of fast, affordable f/1.4 prime lenses for Canon M, Sony E and Micro Four Thirds cameras? The set includes the 16mm f/1.4, 30mm f/1.4 and 56mm f/1.4. Here’s a specifications review that features images by world renowned photographer and Sigma Ambassador Jim Koepnick.

I’m a film dinosaur—about 40% of the pictures I shoot are made on black-and white film, and my favorite analog cameras range in age from 50-100 years. For the remaining 60%, I shoot digitally, sometimes with a vintage lens attached to help capture a "retro" look.

With more and more photographers considering switching from DSLRs to mirrorless cameras, one of the biggest factors in the decision-making process is lens choice. Are the new lenses designed for mirrorless cameras better than their DSLR-centric counterparts?

It's not what most photographers would consider essential glass, but in mid-2017, when I heard it was available, I knew the 8-15mm f/3.5-4.5 fisheye Nikkor was a lens I'd like a lot. What I didn't realize was how much "a lot" was going to be. It turned out that I liked to have it with me whenever I was photographing.

It's another one of those age-old questions for photographers: what's better for photographing wildlife, zoom lenses or prime lenses? In the below video, photographers Tony and Chelsea Northrup put both zooms and primes to the test while weighing the pros and cons of each.

This lens has me going in circles. I spent weeks looking for a well-rounded person to photograph. Every image I captured was pointless. Okay—enough of the circle jokes. Time to get a round to the review.

Tamron has a long history of producing versatile, do-everything lenses and the Tamron 35-150mm F/2.8-4 Di VC OSD (Model A043) continues with that heritage. I received the Canon EF-mount version of the lens for testing, but a Nikon F-mount version is also available at the same price. While designed for Canon’s full-frame EF-mount cameras, the Tamron 35-150mm lens can also be used with their APS-C models where it produces a field-of-view equivalent to 56-240mm.