Lens Reviews

Sort By: Post DateTitle Publish Date
George Schaub  |  Dec 01, 2009  |  0 comments

Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.

Roger W. Hicks & Frances E. Schultz  |  Dec 01, 2009  |  0 comments

There are plenty of other good (but significantly slower) 21mm and 24/25mm lenses on the market, almost all cheaper, smaller, lighter, and exhibiting less distortion than the two under discussion here.

Steve Bedell  |  Aug 01, 2009  |  0 comments

“Most pro lenses have much sturdier construction than their consumer counterparts.”

 

I’m a pro photographer and have been for about 30 years. I mostly shoot portraits and a few weddings. I’m not one of those guys who will be first in line for the latest 15-800mm f/1.2 lens. As a matter of fact, I’m pretty much an equipment minimalist. But when I need a lens, I...

Joe Farace  |  Aug 01, 2009  |  0 comments

There is no doubt that Carl Zeiss is one of the magical names in the world of optics and so the introduction of the Zeiss ZE lenses for analog and digital cameras is big news.

Peter K. Burian  |  Jun 01, 2009  |  0 comments

Although zoom lenses are certainly versatile and convenient, they do have some drawbacks, including relatively small maximum apertures.

Stan Trzoniec  |  May 01, 2009  |  0 comments

The arrival of the new Canon EF 800mm f/5.6L IS USM lens was a case of perfect timing as within a few days I’d be on the road for a couple of weeks photographing the abundance of wildlife at the Blackwater Refuge.

Peter K. Burian  |  Apr 01, 2009  |  0 comments

Designed specifically for Nikon and Canon D-SLRs with APS-C-size sensors, Tamron’s latest all-purpose lens is even more desirable than the previous 18-250mm Di II model.

Roger W. Hicks  |  Dec 01, 2008  |  0 comments

As soon as I heard about it, I wanted to try the f/2 28mm Zeiss ZF lens; ZF, for those unfamiliar with the current Zeiss line-up, is their superb line of Nikon F compatible manual focus lenses, as distinct from ZM (Leica M compatible) and ZV (classic Hasselblad compatible).

All of the ZF series are also available in ZK (Pentax K bayonet compatible) and a few, though apparently not...

Jack Neubart  |  Nov 01, 2008  |  0 comments

The mid-range zoom I started with when I bought my Nikon D300 was no speed demon, and I was hankering for an f/2.8 lens in the (effective) 70-200mm range. What first attracted me to the Tokina AT-X 535 PRO DX was the fast, constant maximum aperture, providing a bright view every step of the way. What’s more, the barrel on this tele-zoom does not rotate when zoomed: all movement is entirely...

Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008  |  0 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Peter K. Burian  |  Nov 01, 2008  |  0 comments

The Olympus D-SLR system always included a series of pro-caliber lenses targeting serious photographers working with the E-1 pro camera. Since the introduction of the newer E-3, Olympus has also unveiled three high-grade zooms, the first in the Zuiko Digital line with Supersonic Wave Drive (SWD) autofocus. Designed to provide the ultimate in AF performance, this trio offers wide apertures...

Peter K. Burian  |  Nov 01, 2008  |  0 comments

Because of the increasing number of D-SLRs with full-frame sensors, Tamron is upgrading several of their multi-platform lenses to the Digitally Integrated standard. The most recent model, the 70-200mm f/2.8 Di, is optimized for D-SLRs regardless of the sensor size but also provides outstanding results with 35mm SLRs. This zoom has benefited from several improvements, including closer focusing...

George Schaub  |  Aug 01, 2008  |  0 comments

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

Jack Neubart  |  Aug 01, 2008  |  0 comments

I developed a love for fisheyes way back when I was shooting film. In fact, when I took the digital route, the first new lens I bought for my brand-new Canon EOS 5D was a fisheye.

I figured, what better way to celebrate my purchase of a full-frame D-SLR than with a lens that could take full advantage of the larger sensor! So now, fast forward to the purchase of a...

Pages

X