Have you ever returned from a trip after visiting several famous landmarks, reviewed your images, and said to yourself, “Wow, these are really nice photos, but they look like all the others I’ve seen?" This is a common occurrence, and today we’ll explain several methods for doing things differently so your images stand out from the rest.
Dynamic Range is an important concept that most photographers claim to understand. But ask for an explanation of exactly how it works, and you may receive a blank stare. The quick tutorial below from the popular Booray Explains series covers everything to know about how Dynamic Range affects your photos.
There’s one sure way to take your photography to the next level: Shoot images with a totally different look from those you’ve captured in the past. You can do this by switching up the subject matter, trying a different technique, or composing images from an unusual vantage point—either high or low.
More and more photographers are using Luminar Neo, either as an adjunct or replacement for Photoshop and/or Lightroom. Created by Skylum, Luminar Neo is an AI-powered program for Mac and PC users that’s updated frequently and relatively simple to use.
All photographers are looking for an edge when it comes to shooting in mixed light outdoors, where there’s often a wide range of tones from bright highlights to deep shadows. While arriving at a balanced exposure can be challenging in these situations, there’s a way to use varying light levels to advantage.
Yeah, we know. Supposedly all serious photographers shoot Raw, for very good reasons. But there are times when shooting and editing JPEGs make sense. Perhaps your camera is set to capture both a JPEG and a Raw file every time you snap the shutter, and somehow you lost the Raw file or it became corrupt.
Like many photographers using APS-C cameras you may be thinking about “moving up” to a full-frame model, while sifting through all the pros and cons before pulling the trigger. There’s a long list of variables to consider, including one that may not have to your attention.
Sorry to spoil your afternoon with what one imaging expert calls a “huge” problem for those who process photos in Lightroom. But don’t despair because you’ll learn about this dilemma and how to fix it in barely five minutes.
We spend a lot of time here at Shutterbug explaining techniques for shooting great images and improving them further during the editing process. What we may not do often enough is discuss best practices for output.
High Dynamic Range (HDR) is an important technique that enables you to shoot or edit photos that appear more like what one sees with the human eye. The concept involves balancing out light and dark areas of a scene to capture more detail in both highlights and shadows.
Noise in digital photos can seriously degrade image quality, especially when shooting with budget gear, in much the same way grain is annoying in film photography. There are several editing techniques for cleaning up noisy shots, but today’s topic is banishing these ugly artifacts as much as possible in the camera.
There are numerous methods for upscaling images using Photoshop, Lightroom, or third-party plugins and apps. Unfortunately, the results you achieve may barely be acceptable or less, depending on the technique employed.
There’s no doubt that many accessories are worthwhile. Some make photography easier and more enjoyable, while others actually enable you to capture better images. Still other others, while they may seem interesting at first glance, are eventually relegated to an ignominious spot in the back of your camera cabinet.
Dodging and burning is a traditional darkroom technique that can be used with great success using software in today’s digital era. These easy-to use tools enable you to selectively adjust different areas of an image to arrive at a balanced exposure.
Improperly exposed photos are the bane of all kinds of photographers, especially those who shoot outdoors where a wide range of tones may exceed the density range of your camera. We posted a tutorial earlier today explaining a simple method to remedy this problem by using Photoshop’s Dodge and Burn tools to make dark areas lighter and light areas dark to arrive at a balanced result.