There’s nothing wrong with being a beginner because, let’s face it, all great photographers have been there. But here’s the deal: You needn’t make unavoidable mistakes that prove your novice status to the world.
Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.
The Orton Glow effect is popular among landscape photographers for giving images a dreamy, ethereal look that really stands out from the crowd. There are a number of ways to get the job done—some more complicated than others.
There’s a vast array of plugins from third-party vendors for augmenting the capabilities of whatever image-editing software you use. In the tutorial below you’ll discover what one expert calls “the best” choice for both Lightroom and Photoshop.
Earlier this week we featured an easy five-minute fix for poorly exposed photos using Layer Masks in Lightroom. But that simple task provided just a taste of what these powerful tools can do.
Lightroom Classic includes a selection of interesting built-in presets allowing you to quickly achieve a variety of effects. You can also purchase a wide array of others from outside sources and easily install them within Lightroom’s Develop Module.
It’s not uncommon for photographers to adopt a “set-it-and-forget it” mentality when configuring their cameras, thereby ending up with photographs that aren’t as good as possible. Whether you call this habit lazy or uninformed, there are times when the choice of a custom setting results in more creative images.
Right about now you’re probably saying to yourself, “No experienced landscape photographer would be out on the field shooting with a smartphone.” And with a few exceptions you’d be right—unless the camera’s battery died and there’s nary a spare in sight.
Many of use would love to pursue a career as a professional photographer, but lack the necessary skills, means, experience and gear to make that dream a reality. But that doesn’t mean we can’t aspire to create pro-quality images.
Lightroom masks are very effective for quickly fixing photos that are improperly exposed, like when some areas in the scene are too dark or too bright, or perhaps even both when shooting in mixed light.
There are numerous ways to edit b&w images depending upon the look you’re trying to create. Sometimes the goal is a soft, moody effect, while other times you want a photo to jump off the page. The tutorial below is geared toward the latter, explaining how to use two “hidden” Photoshop filters for achieving eye-popping results.
Photographing our feathered friends can be difficult for those new to the game, and editing the results can be equally challenging if you’re not confident about your post-processing skills. If your past results are disappointing, the tutorial below will be a big help.
Over the past several weeks we’ve been bringing you helpful tutorials from an amazing free Lightroom Masterclass presented by the PHLOG Photography YouTube channel. Today is Part 6 in the series, and covers all the basics of Color Grading using split Toning.
Color temperature is a very important photographic concept that can be difficult to understand—depending upon who is doing the explaining. Booray Perry is an instructor who specializes in quick tutorials that simplify so-called “complicated” considerations, and that’s exactly what he does in the quick video below.
Whether you’re photographing birds in the backyard, shooting exotic animals at the zoo, or capturing images on the street, it’s not uncommon for unwanted objects to get in the way. The quick tutorial below demonstrates how to use what one pro calls a "mind-blowing” new Photoshop tool.