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 |  Dec 29, 2009  | 

Make Your Computer Ready For Digital Photography

Bypass The “Default Demons”

by David B. Brooks

If you have recently purchased a new computer, whether a PC with Windows or an Apple Mac, is it really ready for use as a digital darkroom, to support opening, processing and editing or printing digital photographs?

 |  Dec 29, 2009  | 

January 2010

On The Cover
Maynard Switzer got in the boat to make this photograph of a Burmese fisherman at work, but there was something more he had to do to add just the right touch of color to the image. Find out what it was by taking to the road with Shutterbug’s new travel columnist on page 22. Aside from Switzer’ss...

 |  Dec 29, 2009  | 

Crop & Frame For Impact

Find The Shot Within The Shot

by Jack Neubart

The moment you use the camera’s viewfinder to look at a subject, you are framing that subject. In essence, you are isolating that subject from the larger world surrounding it. And you are bringing the viewer into the scene you’ve defined...

 |  Dec 29, 2009  | 

Digital Photography In Black And White

Seeing In Grayscale Tones

by George Schaub

Somehow, we accept black and white as quite natural, as a fair and reasonable representation of what we have photographed. But it is hardly that—the world is filled with color in all its hue and shades, from the brilliant azure blue of...

 |  Jan 26, 2010  | 

Industry Perspective

Can Photography Save the World?

by Ron Leach

Ten years ago PBS debuted a moving documentary entitled “American Photography: A
Century of Images.” The program traced photography’s profound influence upon life in
America, and I recall being particularly struck by thecamera&rsqu...

 |  Jan 26, 2010  | 

How I Photograph Women

Using The Least Amount Of Equipment

by Joe Farace

It may come as a surprise to some of you but I didn’t start out to be a people photographer. When Mary and I opened our studio in 1982, we divided the workload based on the type of images that clients wanted. It turned out to be a simpledivisio...

 |  Jan 26, 2010  | 

Natural Light Reflectors

“Found” Light For Outdoor Portraiture

by Steve Bedell

Photographers love equipment. They’ll attend any seminar and buy any piece of equipment they can in the hopes that it will elevate their work to a higher plane. Now that’s all well and good, but before you start buyingal...

 |  Jan 26, 2010  | 

February 2010

On The Cover
This month we’re exploring the craft of architectural photography, as indicated by our striking cover image taken by Jeffrey Jacobs of the Janet Huckabee Arkansas Nature Center. To see more of Jacobs’s stunning images, see page 30. Architecture aside, we also have a book excerpt from Jon Canfield on...

 |  Feb 23, 2010  | 

Industry Perspective

USB 3.0 to the Rescue

by Ron Leach

One of the bi-products of high-resolution digital cameras, terabyte hard drives, multi-gigabyte mobile phones, and D-SLRs with HD video capabilities is the ever-increasing need for greater bandwidth and faster data transfer rates. So it's none too soon that USB 3.0ha...

 |  Feb 23, 2010  | 

The Raw Facts About Infrared

Processing Digital Infrared Raw Files Using Adobe Camera Raw

by Joe Farace

One of the best ways to squeeze the maximum image quality from your digital infrared files is to first capture them in your camera’s Raw format and process them in your favorite Raw software. In my casethat’...

 |  Feb 23, 2010  | 

Hard & Soft Light

Use One, Or Both, For Portrait Work

by John Siskin

Photographers talk about the characteristics of light using various terms. When we talk about light being soft or hard, we are really referring to the size of the light source. By using both kinds of light we can have more control over theappearance...

 |  Mar 01, 2010  | 

March 2010

On The Cover
This month we’re here to help you edit, organize, and enhance your digital images. Our Test Reports reveal the incredible capabilities afforded by the latest image-editing software from a host of companies, including Adobe, ACDSee, Anthropics Technology, Auto FX Software, and Corel. We also have an in-depthr...

 |  Mar 30, 2010  | 

Industry Perspective

The Passing of a Civil Rights Hero

by Ron Leach

America lost one of the heroes of the civil rights movement with the recent passing of photographer Charles Moore at the age of 79. Many historians credited Moore's images with shifting public opinion in favor of equality for all Americans as he traveled...

 |  Mar 30, 2010  | 

April 2010

On The Cover
This month our focus is on the art and craft of wedding photography, as we explore some intriguing aspects of that challenging business. In addition, we look into the business of assisting and have brought you insider tips from the best and brightest photo assistants working in the field today. Finally, we haveTes...

 |  Mar 30, 2010  | 

Macro Vs. Macro Zoom

Know The Difference

by Jon Sienkiewicz

Every hobby has its own language, and photography is no different. It can take a while to learn all of the unintuitive abbreviations, unnatural acronyms, and shifting definitions. The term “shifting definition” refers to words like“automatic&rdq...

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