Photoshop How To

Photoshop users know that Vibrance and Saturation are similar but not quite the same, and these tools can be employed separately or together for different purposes. Lightroom, on the other hand doesn’t have a Vibrance tool, and if that sounds crazy just take a look; all you’ll find is a Saturation slider.

Too many photographers make the mistake of restricting their workflow by employing global adjustments to edit their photos. The problem is that these enhancements affect the image as a whole—thereby greatly limiting the results they achieve. That's because certain areas within the frame often require one approach while others call for totally different enhancements to create photos with balanced exposures and realistic colors.

Are you one of those photographers who don’t like to spend a lot of time editing photos? Or perhaps you’re new to Photoshop and not sure how to deal with images that need a bit of work. In either case, this quick tutorial is for you.

We repeatedly discuss the concept of sharpness because it's such a critical component of all really good images. But there's an oft-ignored concept that you may not have heard until now; revealing why some sharp images appear soft to you and the viewer .

It’s common knowledge that telephoto lenses enable you to get in tight on distant subjects, while wide-angle lenses do the opposite by providing a more expansive view of the scene you are photographing. But what about the interaction between focal length and perspective? This is a very important concept to understand.

Yesterday we covered the important topic of ISO, and how to use this simple setting to give images the specific look you desire. Today we’ll explore exposure bracketing, another basic concept, and you’ll see how this easy-to-use tool will help you maximize detail in your photographs.

Photo composites are fun to make, and often result in eye-catching images. Some techniques are more difficult than others, and today we’ll show you three methods that are easier than most.