Photoshop How To

It’s inevitable: Sooner or later you’ll come upon an interesting scene, and the only camera you have on hand is your phone. Sure, it’s possible to make impressive images with the latest phones, but what if the photo you envision requires a long exposure?

Everyone loves people pictures, right? So why do so many photographers shy away from portraiture? Perhaps it’s because of the popular misconception that expensive, complicated lighting gear is required for quality results.

Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.

This is a great time of year to make macro magic, as there are flowers, insects, and other small creatures just about everywhere you look. All you really need is a close-focusing lens and the following tips from Swedish pro Micael Widell.

Many of history’s greatest photographers gained their fame making b&w landscape images. With today’s modern cameras, and the digital darkroom, most of the goals remain the same but techniques often differ.

One of the challenges with all forms of outdoor photography is that scenes often have a wide-range of tones—often beyond the density range of your camera. The best way to deal with situations like these is editing selective portions of the image.

Most outdoor photographers have had the unfortunate experience of planning a trip to a spot full of great opportunities, only to confront disappointing dull light when arriving at the destination. So what to do? One option is to accept defeat and plan a return trip. But another is to get the gear out, make some images, and use the following Lightroom trick to salvage the day.