Photoshop How To

Ask a bunch of inexperienced photographers to name the easiest editing task they tackle, and most will likely give you a one-word answer: "Cropping." Yet, as you'll see in this eye-opening video from Landscape Photography University, incorrect cropping can spoil an image forever.

There's a lot going on in Photoshop's toolbar, including features you never need, and this makes in inconvenient to quickly find the tools you use most. The video below demonstrates how easy it is to customize your workflow to match your personal post-processing style and clear out the mess.

The goal with most tutorials we post is to provide helpful tips for improving your photography, along with striking imagery you may want to emulate. But sooner or later it’s important to develop a style of your own, and the video below will get you started.

We occasionally provide expert advice on configuring the Photoshop workflow so that it meets your specific needs, and this typically involves revealing hidden features or activating settings that are disabled by default. The tutorial below from the Dansky instructional YouTube channel takes the opposite approach; namely, suggestions for turning off certain settings that one pro says will just slow you down.

Photoshop’s Hue/Saturation sliders are a popular means of adjusting colors in an image, and they’re really easy to use. But is this the best method for achieving optimum results? Maybe not.

Sooner or later all photographers confront a frustrating disparity between how the colors of an image appeared through the viewfinder or on a camera's rear LCD in the field, and what they look like on the computer screen. Unfortunately, when this happens it's typically the computer representation that tends to be inferior.

Skin retouching is an essential task to master if you want to create alluring portrait photos, whether your model is a man or a woman. That’s because you can have beautiful light, nice composition, and an inviting pose, but all that’s for naught if the subject’s skin is unappealing.