While we all strive to capture awesome photos in the camera, it’s often possible to make a great shot even better with a few post-processing enhancements. But image editing is a mixed bag, and you can actually degrade a nice photo if you’re sloppy on the computer.
French photographer Serge Ramelli is known for spectacular landscape images. Yet, despite his mad skills, every so often Mother Nature needs some help because of poor light, pale skies, or weak colors. In this tutorial, Ramelli provides 27 free Photoshop presets, and demonstrates how to use them, so you can turn good photos into great ones.
Presets are timesaving files that enable Lightroom to apply predetermined enhancements to images, enabling you to quickly make changes to color, introduce special effects, and much more. By clicking on a preset you avoid the task of doing things manually, and you can always go back in and tweak the results.
Unless you’ve been living in a cave recently the amazing images from NASA’s James Webb Space Telescope (JWST) have likely blown your mind. But did you know they’re available as a free download on a NASA website?
Shooting during the winter can be a mixed bag: Sometime you’re presented with a sparkling winter wonderland, while other times you confront drab scenes with boring gray clouds. In this tutorial you’ll learn how to add snow to a winter image using special Photoshop brushes you can download for free.
There are many reasons you may want to cut out the background of a photo and create a composite image. Sometimes the goal is to replace a boring sky with something more compelling. Other times you may just want to place a portrait photo on a more interesting background.
We've all been out and about and stumbled upon a great scene that can't be ignored, even though the only camera we have available is our phone. Most of today's advanced smartphones take pretty impressive photos that can be made even better with a bit of thoughtful editing.
There are numerous ways to edit b&w images depending upon the look you’re trying to create. Sometimes the goal is a soft, moody effect, while other times you want a photo to jump off the page. The tutorial below is geared toward the latter, explaining how to use two “hidden” Photoshop filters for achieving eye-popping results.
Ever since DxO acquired the popular Nik Collection of image-editing software from Google last October, photographers have eagerly awaited an update to the powerful free suite of Photoshop and Lightroom plugins. The good news is that Nik Collection 2018 is now available on the DxO website, although the download is no longer free.
Dynamic Range is an important concept that most photographers claim to understand. But ask for an explanation of exactly how it works, and you may receive a blank stare. The quick tutorial below from the popular Booray Explains series covers everything to know about how Dynamic Range affects your photos.
One question I frequently get from friends is, “What’s the best plugin for enlarging my photos?” And I actually have a couple that I use often. But one image-editing expert claims resizing plugins may be a thing of the past, if you have a relatively recent version of Photoshop or Lightroom.
One dead giveaway that your skills aren't quite ready for prime time is when your images display significantly skewed lines that detract from the impact of a shot. Fortunately there's a simple and effective method for addressing the problem during the editing process as you'll see in the tutorial below from the PHLOG Photography YouTube channel.
A primary goal of all photographers is to capture images with precise focus. The challenge is getting the job done when shooting scenes like landscapes that have important objects in the foreground, background and mid range of the frame.
Just as certain as the crocus and grape hyacinth that burst on the scene seemingly from nowhere, another sure sign of spring is my reliance on a few familiar gadgets to help me celebrate the season. Here are three of the accessories I’d be hard pressed to do without.
Most photographers prefer to be out in the field with their cameras, rather than sitting behind a computer processing photos. That means finishing up your edits as soon as possible without sacrificing quality.