Software How To

Most photographers strive to "get it right" in the camera so they don't have to resort to serious post processing to fix the image. Unfortunately that's often difficult—if not impossible—when shooting outdoor scenes with a wide range of tones that exceed the density range of their cameras.

Most photographers would prefer to be out shooting, rather than sitting behind a computer editing their images. And when you have a large number of files to process, the task often feels like watching paint dry.

While we're not, generally, fans of "quick fixes" on images in Photoshop – why not get it right when you shoot it? – there's no shame in using Adobe's landmark image editor to make a boring photo look better. And in the below video from Photoshop maestro Serge Ramelli, he shows you how to do just that.

Sometimes you can strike gold when post-processing your images. The perfect tweak to the right image can turn it from an also-ran into a winner. But here's another way to give your photos the Midas Touch, quite literally, in Photoshop.

If you’ve paid attention to the image-editing tutorials we’ve shared from German landscape pro Christian Mohrle, you know that the first thing he does when opening an image in Photoshop or Lightroom, is choose the most appropriate Camera Profile for the task at hand.

There are plenty of amazing new features in Adobe Camera Raw (ACR), and we featured five hidden tools in a recent post. Today’s tutorial explains how to use a new capability that an experienced pro calls “unbelievable.”

Today we're bringing you the 10^th installment of the popular Master Lightroom Classic series from British wedding photographer James Feaver who recommends that you make sure your software is up to date before following along.