Not long ago we featured a very helpful tutorial, explaining how to customize Photoshop’s interface to facilitate your personal workflow. The point was that Photoshop is designed for photographers, art directors, and a variety of other content creators, and the default workspace isn’t equally conducive for all users.
One reason Lightroom can be so complicated is that it's a very robust program that's not designed exclusively for photographers. Art directors, web designers, and other content creators use it to, hence there are some tools you may never use.
Working with hair selections for cut-outs in Photoshop is no easy task but hopefully the below video from Nathaniel Dodson at Tutvid will help turn you into a virtual barber on your portraits in no time.
Tilt-shift photography can be incredibly striking, providing a miniaturized effect to your subject that’s unforgettable. But it’s not an effect you want all the time, which is part of the reason why buying an actual tilt-shift lens might be an unnecessary investment.
You might already know how to do “dodging and burning” techniques in Lightroom to tweak the exposure of your images, but here’s a way to do it even better thanks to a special new feature called Luminance Range Masking. In the video below, Aaron Nace of Phlearn explains how to “dodge and burn quickly and accurately in Lightroom using luminance range mask.”
If you're looking for a good tutorial on how to remove and delete a busy background in an image so you have a clean cut out of the subject, you've come to the right place. In the below video from Anthony Morganti he explains some easy ways to clip out people from cluttered backgrounds using Photoshop.
In many parts of the country it feels like we’re still in the throes of summer, but fall is right around the corner with all the changing colors that make autumn such a great time for nature photography.
When most of us got started in photography we were told to “always shoot with the sun at your back.” That advice was reasonable for beginners interested in capturing simple images with a “Kodak Moment” look.
If you always limit yourself to one specific genre of photography your editing workflow may be pretty well defined. But most shooters have a more eclectic approach to our craft, requiring different processing methods depending up the type of image at hand.
OK, listen up. If you’re rolling your eyes because “real photographers use real cameras,” we have two suggestions for you to consider: Either replace your five-year-old phone or watch the tutorial below. Then, if you’re still not convinced, go ahead and ridicule mobile photography all you want.
Most so-called "experts" capture images in the Raw file format because this approach provides far more control during post processing. Jpeg images, on the other hand, are a "lossy" compressed format that often results in image degradation that's particularly noticeable in areas with sharp edges and fine details.
Most photographers prefer to process their images on the computer for a variety of reasons. But every so often, especially when on the road, it's really convenient to get the job done on your phone or a tablet. And Adobe's Lightroom Mobile is one of the best apps for getting the job done.
One of the best ways to make your landscape photos look more dramatic and eye-catching is to have deep shadows and rich contrast. If you weren't able to achieve this moody black look in camera, you can edit your landscape shots in Photoshop to add drama.
Adobe Bridge is an oft-ignored component of Photoshop, and it's capable of much more than some photographers realize. In fact, it's possible to do a full photo edit within Bridge as you'll see in the quick tutorial below.