Nature Photography How To

Proper focusing techniques are essential for all types of photography, whether you’re shooting indoors or outside. This is particular true with travel and nature images that include a variety of elements from near to far. Do things right and you’ve captured a winning shot—otherwise it’s just another missed opportunity.

There's no better way to learn than listening to a top pro explain the secrets to his success, and that's what you'll find in the following tutorial from acclaimed South African wildlife photographer Mark Dumbleton. His popular YouTube channel has the simple goal of helping other shooters capture better images in the field and make them look amazing.

One big challenge for all of us who shoot landscapes is creating order out of expansive, chaotic scenes, and that's why good composition skills are so important for this genre of photography. And one of the first framing techniques we all learn from the get-go is the familiar Rule of Thirds.

Close-up photography--taking pictures at very close range--can provide a different outlook on everyday things, reveal details unseen by the naked eye, and turn common objects into intriguing abstract images.

The traditional ways to do close-up photography involves special gear: Simple close-up diopter lenses are inexpensive but reduce sharpness noticeably...

Earlier this month we began posting weekly installments of a remarkable new 10-part Lightroom masterclass from our friends at Phlog Photography. Episode #1 covered basic tools for beginners, while Part 2 was all about using masks.

Sunsets are among the most popular scenes photographed by landscape photographers, but sometimes it's difficult to get colors and exposure just right. In the tutorial below you'll learn several pro editing tips and pick up powerful free presets for getting the job done.

In real-world shoots, both camera and subject are often moving. Six generations of photographers have fought this problem in their quest for images as sharp as a zoot suit. And nowhere is this fact of photographic life more obvious than when you’re trying to freeze the movement of wildlife. Whether you’re bagging African megafauna or trying to capture backyard beetles, stopping the motion is part of the assignment. So how do you do it?