Outdoor Photography How To

A while back we featured a powerful Photoshop tutorial explaining how to turn daytime photos into night scenes with three simple tips. In the video below, you‘ll see how to do the opposite, by making nighttime photos appear to have been captured at dawn.

When all else fails, hitting the streets is a fun and accessible way to make interesting images—both during the day at night. And in the interesting video below, you’ll watch two pros shooting the streets of London, while revealing their secrets for capturing compelling images with mystery and mood.

Fast telephoto lenses have a special mystique in the minds of most outdoor photographers. But what if you can’t afford to purchase exotic big glass? In this eye-opening tutorial, you’ll learn a free and effective alternative to using a long lens.

It took two trips to the Arctic Circle for photographer Dale Sharpe to pop the question to his girlfriend Karlie Russell, but as you see here the resulting photos are totally epic. 

A camera enforces a “framing” of the world before you. While you can choose various aspect ratios (from standard to panoramic, from 3:4 to 6:19) the fact remains that you always have to choose what to include and what to leave out of the photo. It’s like constructing a box and deciding what to put inside it. Making those decisions often involves utilizing certain compositional guidelines and tools that artists have used in the past, although like any rules they “are made to be broken.” When deciding which guidelines to apply always remember that content rules, and that context helps tell the tale.

The goal with most tutorials we post is to provide helpful tips for improving your photography, along with striking imagery you may want to emulate. But sooner or later it’s important to develop a style of your own, and the video below will get you started.

As primarily a landscape photographer Iam often in a situation where I am struggling to give a feeling of scale to big dramatic views. I will look for something to place close to the camera, such as a dramatic flower or rock, to capture the viewer’s attention and draw them deeper into the photo. In some cases, though, I find including a person rather than a natural element within the scene does a better job of it. Not only does the figure add scale, but it also makes viewers feel like they are standing within the scene rather than looking at a print on the wall, a kind of visual empathy.