Outdoor Photography How To

Mark Alberhasky, for one. Put him in a great situation where he can take very cool photographs and he’ll nail them nine times out of 10. Chances are, though, that won’t be enough. Just because the photos he’s making look good doesn’t mean he won’t be thinking about what he can do to create even better ones. You can attribute that drive to several factors, one of which is his early realization that if he took a straightforward photo of what everyone else was seeing, no matter how good a photo it was, it would be just that: what everyone else was seeing. The goal was to come up with his own ideas and add them to the creative process, and many of Mark’s photos are the result of taking that e

One question I’m frequently asked is, “Are you a natural-light photographer or do you use flash?” All too often that query stems from a popular misconception that using supplemental light is too difficult or confusing for mere mortals. As you’ll see in the basic tutorial below, nothing could be further from the truth.

We’ve discussed many times what the “Rule of Thirds” is in photography and why it’s such a good tool for creating visually appeally photo compositions but not everyone is a fan of the concept. In fact, some photographers think the Rule of Thirds might be ruining your images if you adhere to it too strictly.

Some of the best photography is in the worst weather!” I’ve been saying that for decades and it comes from coming in from the cold, soaking wet and thrilled to death with the images I captured. The drama in the light, clouds and the response to it by nature is a once-in-a-lifetime spectacle you just can’t duplicate. In order to see it and photograph it, you have to get out in it and be able to work. And that’s where the challenge lies.

We’ve all inadvertently shot cockeyed photos, and it’s usually because we weren’t paying attention. The most common example is a horizontal landscape image with a tilted horizon, but this problem can also occur with vertical lines when shooting in portrait orientation.

Yesterday we featured an eye-opening tutorial that explained how to be a better street shooter by overcoming a fear of photographing strangers. And today’s follow-up offers some great insight into the work of an iconic street shooter who once said “Street photography is a stupid term.