LATEST ADDITIONS

George Schaub  |  Oct 01, 2009  |  0 comments

I tend to separate light into two distinct areas—that supplied by the one true light source, the sun, and the other by the inventiveness and ingenuity of people, namely flash, a controlled explosion, and continuous, usually some form of filament, spark, and vapor, or controlled burn. My tendency is to seek out natural or ambient light whenever I can, mainly because I like the hunt and the...

Joe Farace  |  Oct 01, 2009  |  0 comments

“Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.”—George Eastman

Intense competition for price and market share in the photographic lighting business produces lots of copycat and me-too products, making real innovation a rare commodity. Gary Regester is perhaps...

David B. Brooks  |  Oct 01, 2009  |  0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All...

Maria Piscopo  |  Oct 01, 2009  |  6 comments

Today’s new technology and social media are bringing a change to the business and marketing of photographic services. The question is—how can it work for you? It is a very different means—one that you join and participate in rather than direct and control, as you often can with your traditional marketing media. New technology and the changing and developing expectations of your...

Jack Neubart  |  Oct 01, 2009  |  0 comments


Guide Number (Standard Illumination Pattern, ISO 100) At 35/200mm Zoom...

C.A. Boylan  |  Oct 01, 2009  |  0 comments

Minimalist Lighting: Professional Techniques for Studio Photography; by Kirk Tuck; Amherst Media; $34.95; (ISBN-13: 978-1-58428-250-1)
Photographer Kirk Tuck uses his years of professional experience to take an in-depth look at studio photography. He dispels the myths by providing advice on purchasing the proper lighting equipment, even if you happen to be on a...

Steve Anchell  |  Oct 01, 2009  |  0 comments

When I was operating a commercial studio in Hollywood, California, my prized possession was a Swiss-made Broncolor 2400 ws power pack and three lamp heads.

Ron Eggers  |  Oct 01, 2009  |  0 comments

Some of the most interesting new cameras are extended zoom models, lightweight units that have extremely long-range zoom lenses that make it possible to use a small camera to capture a distant subject. Extended zooms fall into two broad categories: compact models with 10- to 12-megapixel sensors and zoom ranges around 10-12x, which can fit into a pocket or purse, and slightly larger cameras...

Jack Neubart  |  Oct 01, 2009  |  0 comments

When you need the power and versatility of a studio strobe for location shooting and environmental portraiture but don’t want to schlep around a large, heavy studio system, you can turn to a portable lighting kit.

Jody Gomez  |  Oct 01, 2009  |  0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

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