Software How To

If you ask a bunch of photographers what they found most exciting about the recent Photoshop update, you're likely to receive this two-word answer: Generative Fill. Nonetheless, professional photographer Nick Page begs to differ, claiming the Remove tool is a real game changer and the best new capability.

It's really important to maintain consistent colors when processing your images, especially if you've developed a unique, recognizable style. This is also an essential goal when editing a series of photos from the same shoot.

If you're familiar with Lightroom's frequently ignored Dehaze tool, there's more to it than adjusting a slider if you want the best possible results. And if you've never used this powerful and easy-to-use tool, now is the time to start.

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

When making color adjustments in post-processing, Saturation plays a big role, whether you're after a realistic representation or something more unusual. We have some good news for those of you who use the Curves Adjustment tool to refine Saturation: Earlier this month Adobe added a very small adjustment that can pay big dividends by tackling a common problem with this approach.

Instructor Matt Kloskowski is a specialist in all things Adobe, who says his goal is "to provide straightforward tutorials to help photographers get the results they've always wanted," and this episode fits the bill. He jumps right in to Lightroom's Tone Curve panel and demonstrates how the new capability works.

Kloskowski begins by demonstrating the most common approach, that involves boosting the highlights and mid-tones a bit and then dropping the shadows by grabbing the relevant points on the Curve. This method, unfortunately, often results in oversaturation.

But here's the trick, now you'll find a simple Refine Saturation slider beneath the Curves graph that simplifies the fix because it's no longer necessary to employ Blend modes to get Saturation right. Kloskowski uses a tight shot of a vibrant hummingbird against a green background to demonstrate how easy this is to do.

This quick trick works with all sorts of photos, and Kloskowski pulls up a pretty seascape scene to prove this point. As you'll see, in this case he's able to retain the desired amount of contrast, without oversaturating the shot—simply by moving the slider. Whether you prefer light pastel colors, or a more vibrant look, the new tool gets the job done in a hurry.

After watching the video how about pulling up a few images you've already processed and see what you can create by using Kloskowski's advice. We think you may be surprised at how simple and effective this is to do.

You can find a wide range of editing tips and tricks on Kloskowski's instructional YouTube channel, so be sure to take a look.

We also recommend watching the tutorial we posted from another accomplished pro, with an in-camera technique for using complimentary colors to capture eye-popping photographs.

Are you struggling to get correct exposures when shooting landscapes and other outdoor scenes? Well, join the club, because this can be a real challenge with ever-changing light, and a wide range of tones from highlights to shadows.

Have you ever noticed ugly banding artifacts in the gradients you create in Photoshop? Well, here's the good news: There's a quick Photoshop fix that you'll learn in the four-minute tutorial below from the globally popular PIXimperfect YouTube channel.