Software How To

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Steve Bedell  |  Jun 18, 2013  |  First Published: May 01, 2013  |  1 comments

As more photos are made on more types of devices, there’s a need for resultant images that aren’t just “OK” but as good as they can be. And part of the need, it would seem, is that some folks don’t want to spend a lot of time learning complex programs to get the image results they want. Companies like Athentech Imaging aim to make it a one-click affair.

David B. Brooks  |  Jun 11, 2013  |  First Published: May 01, 2013  |  1 comments

I always enjoy trying out the best new high-end products. It’s fun, but more important it tells me how good the best performance can be. But when reviewing color management tools I realize that photographers are not color scientists or computer programming experts, so I thought I’d start this review with a bit of a tech briefing on why they are important to all photographers who want to get the most from their work.

David B. Brooks  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  0 comments

While some, like me, like to spend hours working on an image in their digital darkroom, quite a few photographers express a desire to process photographs into good-quality digital files with as little effort as possible without having to learn a new technique or software. For those who don’t find it fun and the rewards too hard to come by, a company in Europe called Elpical may have an answer.

Staff  |  Sep 14, 2012  |  First Published: Oct 01, 2012  |  0 comments

There’s no question that do-it-yourself photo books have captured the imagination of photographers, from pros to those who simply want to create a remembrance of a journey or to gather family photos. While just about every imaging software and online picture service, from iPhoto to Shutterfly, offers quick and easy bookmaking, there are some companies dedicated to serving the higher-end market, generally pros but also including every photographer who wants a stylish, custom-designed book. Software to help design the book is a key ingredient, as are options for book materials and binding. And in the end, the quality of the images reproduced, and the facility of ordering and making images ready, is what makes the bookmaking process a creative, fun project that will result in a book that will be cherished for many years.

George Schaub  |  Sep 05, 2012  |  First Published: Aug 01, 2012  |  0 comments

The question is—does anybody really know what a given image would look like if they shot it on Kodachrome 25, or Fuji Acros, or some obscure color negative film that even in film’s heyday was little used or appreciated? Perhaps the more pertinent question is—how many people have made photographs using film? But film references are what a number of so-called film emulation software programs use for describing presets that can be applied to a digital image. Half academic and half nostalgic, the programs use film brand names to describe saturation, contrast, color nuance, and grain structure variations that are then applied to an image. Perhaps using film names is better than poetic fantasy terms, like “misty blue dawn,” but then again entirely subjective descriptors, rather than supposedly clinical ones used in these software programs, might be just as handy for today’s photography crowd. In any case, I recently tested one such program, DxO’s FilmPack 3.1, to see if it offered up creative variations that could be used as is or as foundation images when interpreting subjects and scenes.

 

Jack Neubart  |  Aug 08, 2012  |  First Published: Jul 01, 2012  |  1 comments

Attempting to make the HDR process more user-friendly, the newly updated HDR Expose and Photoshop-dedicated plug-in 32 Float, now both in Version 2, largely share the same features and enhancements. As I see it, the improvements center mainly on workflow—reason enough to upgrade, in my opinion, and reason enough to consider these as serious tools for HDR work. Both are available from Unified Color Technologies.

Jack Neubart  |  Aug 02, 2012  |  First Published: Jun 01, 2012  |  2 comments

CES is not a big imaging software show as evidenced by the short list of new products, though we did find a new camera profiling tool, updated monitor calibration tools, an old favorite Raw converter brought back to life under a new name, and software for editing on the fly and sharing photos.

 

ArcSoft introduced a Mac version of Perfect365. This software uses advanced facial recognition technology for one-click portrait touch-ups, letting you effortlessly adjust up to 21 individual facial features. Perfect365 allows you to add creative effects such as eye shadows, blushes, lipsticks, colored contact lenses, under-eye circle removal, and blemish removal. The software is available as a free download (www.perfect365.com) or in a premium edition ($39).

Joe Farace  |  Jul 30, 2012  |  First Published: Jun 01, 2012  |  0 comments

Tiffen’s Dfx 3.0 offers photographers software that can make their images stand out from the crowd. The bundle is a digital emulation of 2000 of the company’s glass filters that for convenience uses the same names of the company’s Soft/FX or Pro-Mist filters, so those who’ve shot with their filters in the past know exactly what to expect when applying their digital equivalents. For those who haven’t, rest assured that the company who made their name in filters knows their stuff. As a bonus, the software also includes effects created by lenses, lab processes, film grain, color correction, plus natural light effects.

 

I must confess that previous versions of Tiffen’s Dfx Digital Filter Suite, while interesting, did not make the final cut of power tools in my personal digital toolbox. All that’s changed in 3.0. It takes all of the good stuff from the previous versions, blends in new options, and wraps it around an interface that, while still containing a few less-than-elegant elements, retains its individuality and provides for smooth workflow.

Steve Bedell  |  Jul 26, 2012  |  First Published: Jun 01, 2012  |  3 comments

Judging by the popularity of facial retouching software, there seem to be a lot of people out there who want to make their subjects look like they just arrived off a private jet from Monte Carlo. And they want to do it fast, and not get bogged down with little technicalities like learning how to use Photoshop. So, is it possible to just press a button and instantly have a complexion that looks like J.Lo after an hour in the makeup chair? Well, that’s what we’re here to find out, so let’s take a look.

 

First, let’s take a look at what we have. Perfect Portrait is one of six products that combined give you onOne Software’s Perfect Photo Suite 6. You can buy the whole bundle or you can buy just the individual products that you like. And while I’m not going to address the other products here, let me just add kudos to onOne for using the same interface for each product, something you’d think would be automatic with software suites but sadly is not.

Jack Neubart  |  Jul 19, 2012  |  First Published: Jun 01, 2012  |  3 comments

DxO Optics Pro Version 7 is a Raw converter for Mac and Microsoft Windows with some nifty tricks up its sleeve. It offers its own brand of nondestructive image editing, with tonal, exposure, geometric, and optical corrections that make it stand apart from the crowd. As was true of Version 6.6, Optics Pro 7 supports the company’s new FilmPack 3 film emulator plug-in (see sidebar below). We will have a more complete review of the film emulator in a future issue.

 

Optics Pro Version 7 is a dramatic departure from earlier releases. The Select pane is gone, so you no longer have to deal with tedious Projects (unless you want to). Now you go straight to work after opening a folder. Double-click on an image and that takes you right to the nondestructive editing phase, in Customize. Beyond this point the Mac and Windows versions part ways in one key respect: the Windows version runs faster than the Mac version, which continues to be laborious.

Jon Canfield  |  Jul 13, 2012  |  First Published: Jun 01, 2012  |  0 comments

Photographers, especially those dealing with large numbers of images, are always looking for ways to speed up the workflow and spend less time in front of a computer and more time behind a camera. Applications like Lightroom have improved the process tremendously, making cataloging and image adjustments easier and faster than before. If you have adjustments that you apply frequently, you can use presets to make it a single-click process, applying a number of adjustments in one operation.

 

Kevin Kubota has been providing presets and tools for both Photoshop and Lightroom users for quite a while now, and one of his products is a combination of a package of presets for Lightroom and a mini keyboard from RPG Keys that looks much like a numeric keypad on your keyboard. Available as a bundle for $349, or as a rental for $19.95 per month after a $49 setup fee, you get over 100 presets that do everything from black-and-white conversions to skin tone enhancements (and a number of interesting edge effects).

George Schaub  |  Jul 06, 2012  |  First Published: Jun 01, 2012  |  2 comments

Alien Skin’s Snap Art 3 ($199, or $99 for an upgrade from previous versions) is the latest manifestation of image-altering software that works atop the architecture of Photoshop and Lightroom, that is, a plug-in accessible through the Filters menu in Photoshop and for Lightroom as an external editor.

 

To launch Snap Art from an image in Lightroom you first select the image (or multiple images for batch processing), and select Photo>Edit In>Snap Art 3. You can also right click on the image and select Edit In>Snap Art 3. When Lightroom asks you how to edit the photo, the company recommends you choose “Edit a Copy with Lightroom Adjustments.” This will tell Lightroom to make a copy of the image for Snap Art. You can also check and uncheck the Stack command, depending on how you want to see the image in the Library—choose Stack and you can easily unstack the image later, or just have it sit side by side in the normal Library (unstacked) view.

John Brandon  |  Jul 05, 2012  |  First Published: Jun 01, 2012  |  4 comments

With each successive release of ACDSee Pro, the photo management suite adds ever-more-powerful features. In this review I hope to help you decide whether or not its features match up with your own workflow, meet your needs, or even improve on existing features to enhance your photographic creations.

 

In my own workflow, the new version, ACDSee Pro 5, smoothed over a few rough edges in the editing process and made my management chores a bit less time-consuming. The release is not so groundbreaking that it might make you consider abandoning Adobe Lightroom or Apple Aperture altogether, but there are some pro-level additions that are definitely worth considering. The program never crashed and operated quickly for just about any task on a standard desktop PC. Note I said PC—there is no Mac version available or considered at this point.

Jon Canfield  |  Mar 28, 2012  |  First Published: Feb 01, 2012  |  1 comments

Digital black and white has probably never been more popular than it is today. All of the major editing programs like Adobe’s Photoshop and Lightroom and Apple’s Aperture support black-and-white conversions natively, and at a much higher quality than just a few years ago. While all of these programs can do black and white you can take your monochrome imagery to the next level with plug-ins, specific task programs that use the architecture of the main program to get the work done. These plug-ins (which may be available as “stand-alones” as well) produce some amazing work, letting you emulate various film types, grain patterns, and more, usually working with “presets” (image looks) that can be modified with ease to customize every image. Combined with the improved output from recent inkjet printers, there has never been a better time to explore digital black and white than today.

Joe Farace  |  Mar 20, 2012  |  First Published: Feb 01, 2012  |  2 comments

Color Efex Pro 4 is Nik Software’s (www.niksoftware.com) latest version of its digital photographic filter plug-ins for retouching and creative enhancements. It is Mac OS and Windows compatible and installs as a 32-bit and 64-bit plug-in for Adobe Photoshop CS4 or later, Lightroom 2.6 or later, Photoshop Elements 8 or later, or Apple Aperture 2.1.4 or later. The installer searches for all of the hosts that are on your computer and if you already have Photoshop, Lightroom, and Aperture installed, as I do, it will install Color Efex Pro 4 for all of the host applications.

 

What’s New
One of the biggest improvements in Color Efex Pro 4 is the ability to use Filter Combinations that let you stack multiple filters, adjust each one’s opacity, and make selective adjustments to get the desired look. Each filter contains single-click starting points, making it possible to explore different options. Shades of Emeril Lagasse, there are Filter Recipes that let you customize and share filter combinations with others. Bam! Reminiscent of HDR Efex Pro, the 10 recipes that are part of the package are a quick way to get started using Color Efex Pro 4 and more are available for download on Nik Software’s website.

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