Software How To

With each successive release of ACDSee Pro, the photo management suite adds ever-more-powerful features. In this review I hope to help you decide whether or not its features match up with your own workflow, meet your needs, or even improve on existing features to enhance your photographic creations.

In my own workflow, the new version, ACDSee Pro 5, smoothed over a few rough edges in the editing process and made my management chores a bit less time-consuming. The release is not so groundbreaking that it might make you consider abandoning Adobe Lightroom or Apple Aperture altogether, but there are some pro-level additions that are definitely worth considering. The program never crashed and operated quickly for just about any task on a standard desktop PC. Note I said PC—there is no Mac version available or considered at this point.

Color Efex Pro 4 is Nik Software’s (www.niksoftware.com) latest version of its digital photographic filter plug-ins for retouching and creative enhancements. It is Mac OS and Windows compatible and installs as a 32-bit and 64-bit plug-in for Adobe Photoshop CS4 or later, Lightroom 2.6 or later, Photoshop Elements 8 or later, or Apple Aperture 2.1.4 or later. The installer searches for all of the hosts that are on your computer and if you already have Photoshop, Lightroom, and Aperture installed, as I do, it will install Color Efex Pro 4 for all of the host applications.

What’s New
One of the biggest improvements in Color Efex Pro 4 is the ability to use Filter Combinations that let you stack multiple filters, adjust each one’s opacity, and make selective adjustments to get the desired look. Each filter contains single-click starting points, making it possible to explore different options. Shades of Emeril Lagasse, there are Filter Recipes that let you customize and share filter combinations with others. Bam! Reminiscent of HDR Efex Pro, the 10 recipes that are part of the package are a quick way to get started using Color Efex Pro 4 and more are available for download on Nik Software’s website.

Adobe Photoshop Elements 10 caters to the entry-level crowd, but is imbued with several professional-level tools. Even when a feature is not really intended for serious photographers, there is a goldmine of functionality that could save countless hours. The app is celebrating 10 years on the market. Adobe has slowly revised the workflow, and it’s getting much better.

In this version, you’ll first see a start-up screen with two buttons, one for organizing photos and one for editing. It makes more sense to click the button to organize images first, especially if you’re not even sure which images need editing.

When you do, one of the first prompts you’ll see asks how you normally import photos. That’s handy, because even the most experienced pro has to get photos off the camera somehow. You might typically load images onto a network drive, or prefer loading directly off the camera. (An option to scan images seems woefully dated these days.) Whatever option you choose, you can always go back and select a different import default. For now, it just means, when you start Elements 10, the app will automatically look for that specific source.

Like most professional portrait photographers, I use Photoshop every day. Yet, because Adobe Photoshop is such a powerful program with so many tools available, it also comes with a significant learning curve. And when it comes to facial retouching, there are several tasks involved that do not always make Photoshop the best choice for everyone, especially those who want to do the job and move on.

Photo/Graphic Edges (PGE) from Auto FX Software has been with us for many years and the company recently released their latest version, 7.0, Platinum Edition ($249, stand-alone and plug-in; $129, upgrade for owners of Version 5 or 6). The interface is identical to that used by all Auto FX Photoshop plug-ins. If you already use another Auto FX plug-in, such as Mystical Lighting or Mystical Focus, learning to use PGE should be easy. Even if you’re not familiar with Auto FX products, you’ll likely find the interface to be very straightforward and uncluttered, with plenty of room to work on your images.

Mention digital image editing and it’s likely that the first word you’ll hear is Photoshop. It’s become a general term, like Xerox. For many, the full-blown version of Photoshop (currently at CS5) is either overkill, with features that you’ll never need or use, or just too expensive. Adobe realizes this and has produced a more streamlined version for years. This “entry-level” version of Photoshop, named Elements, is priced like a basic editing program, but filled with features you’d expect to pay quite a bit more for. The latest version, Elements 9 has added several new features that photographers have been requesting for years, making this release an even more attractive option, and further blurring the line between CS and Elements features.

What’s New
There are normally a couple of new features in each release that make upgrading an attractive option for current users, and in this regard Elements 9 adds some interesting items in the sharing area, and a major feature that has been requested for years. Let’s take a look at what is new in Version 9.

For serious photographers, the software you choose for a photographic workflow falls into good, better, and best buckets. The “good” bucket includes fairly mundane tools for basic image management, while “better” goes the extra step of providing image correction options and filters. The “best” tools provide tethered-shot features and robust metadata editing functions. At these upper ranks, the best software seems to predict your every move, mostly because the software developers are photo enthusiasts and understand real photographic needs.

Phase One’s Capture One Pro 6 falls into this “best” category. In many ways, it even beats out Adobe Photoshop CS5 in that there seems to be a professional-grade feature under every drop-down menu and in every dialog box. The editing functions pale in comparison to Photoshop, but as we’ve all learned, if you set up the shot perfectly on location you might not need to do a lot of editing later.