Portrait Photography How To

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Steve Meltzer  |  Dec 10, 2014  |  0 comments

Good photographers are said to have a good “eye” that distinguishes them from other photographers. There’s no better way to understand this than to see how several very good photographers photograph the same subject. A case in point is a new exhibition of photographs of Marilyn Monroe titled “Inoubliable Marilyn” (“Unforgettable Marilyn”) at Paris’s La Galerie de l’Instant (December 12, 2014-February 25, 2015).

Jon Sienkiewicz  |  Dec 03, 2014  |  0 comments

Beware of these popular (and rightfully awesome) compact camera features that can ruin your holiday pics. Here are some tips about outsmarting technology to improve your photos. 

Cynthia Boylan  |  Dec 03, 2014  |  0 comments

Giving a more modern twist to tradition, a team of digital imaging specialists from the Smithsonian Institute created a 3D portrait of President Barack Obama using eight high-resolution sports cameras, six wide-angle cameras, and 50 custom-designed LED lights.

Barry Tanenbaum  |  Oct 21, 2014  |  0 comments

“You can’t go to a place like that and not be aware of the symbolism all around you,” Robert Rathe says of the northern Israeli town of Safed, where he spent a day exploring and looking for photographs.

Jon Sienkiewicz  |  Oct 02, 2014  |  0 comments

When you see a crowd of people snapping photos, can you spot the professional photographer?

Jim Corbran  |  Apr 07, 2014  |  First Published: Feb 01, 2014  |  0 comments

The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. The man who came through the door was Jay “Elvis” Borzillieri, a fourth-generation steelworker whose father died in the mill. It doesn’t matter to the story what Elvis stopped in for that day, but when Pantano looked into his face a flash went off in his mind.

Gregory Heisler  |  Mar 25, 2014  |  First Published: Feb 01, 2014  |  1 comments

Widely regarded as “a photographer’s photographer,” Gregory Heisler has been described as having “the mind of a scientist, the heart of a journalist, and the eye of an artist.” Known for his candor, humor, and generosity as a teacher, he is able to convey the most complex photographic concepts simply and elegantly. In the long-awaited Gregory Heisler: 50 Portraits (Amphoto Books, October 22, 2013, $40) he takes us on a guided tour of his innovative editorial images and iconic portraits, engagingly illuminated by his insightful and highly personal perspective.

Jack Neubart  |  Nov 05, 2013  |  First Published: Oct 01, 2013  |  0 comments

When it comes to portraiture, celebrities are like everyone else, except that for editorial shoots your time with them is very limited. “I’ve literally had as little as 3 minutes and as much as 20 minutes with an individual,” Los Angeles-based photographer Michael Becker observes.

Maria Piscopo  |  Sep 10, 2013  |  First Published: Aug 01, 2013  |  1 comments

Does using social media as a marketing tool work for photographers? That’s what we aimed to find out by interviewing five photographers who have successfully used this particular marketing technique in very specific ways. Unlike advertising and direct mail, where you send out your material and wait for a response, and sales calls, which are more time-consuming, social media is a unique technique that can breed success, but only when properly and fully utilized. Many thanks to our photographers for taking the time and attention to share their thoughts and experiences (websites at end of column): Liz Cowie, Clark Dever, David Alan Kogut, Brad Mangin, and Chuck St. John.

Maynard Switzer  |  Aug 29, 2013  |  First Published: Jul 01, 2013  |  1 comments

For almost a year I planned for the 22-day trip I took this past January to photograph among the indigenous people of Ethiopia. I did a lot of research so I’d know what to expect and how to deal with everything from the customs of the country to the weather and the traveling conditions. Also, I’d have a driver and a guide, and along the way I’d pick up local guides who’d know the ins and outs of specific villages, tribes, and dialects.

Jon Sienkiewicz  |  Aug 04, 2013  |  0 comments

What every photographer should own; add to that list an inexpensive collapsible reflector.

Clay Blackmore  |  Jul 31, 2013  |  1 comments

Photographing couples is an art form that should not be underestimated. Finding the right way to get two people, no matter how wellthey know each other, to pose and stay in a position worth shooting can be extremely difficult. Success requires the right combination of clear communication and dexterous shooting ability. That’s why it is so crucial for portrait and wedding photographers to follow a clear system in order to have time to both shoot classically-posed shots and fun, candid photos.

Steve Bedell  |  Apr 13, 2012  |  First Published: Mar 01, 2012  |  4 comments

High school senior photography has changed dramatically in the last few years. With looser yearbook standards and the ability to see what you get with digital cameras, many photographers who previously did major business in the senior market are now seeing sharp declines. With this in mind, I decided to ask four of the top names in the business about how they maintain a strong presence in the senior market. All have their own style and way of doing things and all are exceptional photographers.

Lou Jacobs Jr.  |  Apr 02, 2012  |  First Published: Feb 01, 2012  |  0 comments

Portrait photographers are responsible for a lot of happiness among a wide variety of people, because well-done family pictures grow more valuable yearly. They usually portray infants, seniors, friends, and relatives, though sometimes portraits are interpretations of unusual subjects. Thomas Balsamo knows this because he has 30 years of experience photographing families and children. His work has also led him to a personal project that originated when his good will and curiosity were extended toward individuals or groups who found their portrait sittings emotionally and psychologically unusual, as well as uplifting.

Eric Dusenbery  |  Mar 23, 2012  |  First Published: Feb 01, 2012  |  0 comments

“Our family came to America from Vietnam in the 1960s. When I first came to America, I came with fear. I was unsure of what I was going to find, my family had to be broken up. I had no clue if they had made it to America safely.”—Khanh Duong (Excerpt from Liana Bui’s student photo/oral history project.)

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