Nature Photography How To

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Adrian Rohnfelder  |  Aug 28, 2015  |  0 comments

Kamchatka, Eastern Russia: I am standing at the crater rim of the active Tolbachik volcano, taking pictures. Suddenly the volcano spits out a red-glowing lava bomb that is heading precisely in my direction. Luckily enough it doesn’t hit me but lands just by my side. Although afraid at first, I delightedly grab my camera: this is a rare opportunity to take close-up shots from still very hot and glowing cinder bombs.

Josh Miller  |  Aug 27, 2015  |  0 comments

Have you ever wished you could photograph colorful frogs, exotic birds, and tropical forest landscapes all in the same day? If so, then a trip to the tropics may be in order for your next photo adventure.

David Shaw  |  Aug 25, 2015  |  0 comments

My wide-angle lens was perfect when the late-evening shadows crept across the mountains of the Arctic National Wildlife Refuge. The sweeping landscape, wide open and treeless, was suited to the wide field of view. Until, that is, the weather turned, and with it, my perspective on that wild place. I woke one morning to rain pattering intermittently on the nylon of my tent. Between showers, I emerged to find the mountains obscured by scudding clouds.

Jim Zuckerman  |  Aug 24, 2015  |  0 comments

Some photographers feel that the photograph you capture in camera is the final image. Today, with the advent of the Raw digital format, most photographers can’t get away from applying post-capture processing techniques to their images since, by definition, the format is an unprocessed one. Some Raw files need very little work while others require more time and effort. Since my exposure and white balance was set accurately in the field, little was needed in the processing of these 2 elephant seals (#1).

Maria Piscopo  |  Aug 07, 2015  |  0 comments

Wildlife and nature photography is certainly a niche market but it turns out to be bigger than many think. According to our contributing photographers in this month’s column, photos of nature and wildlife can be sold for a broad range of uses, including stock, editorial, book publishing, interior design, fine art, and even assignment. Other important questions we ask our wildlife and nature photographers this month include what does it take to make your passion for these subjects a business? How do you market and promote your images?

Barry Tanenbaum  |  Aug 04, 2015  |  0 comments

John Paul Caponigro’s elegant, intriguing fine art images result from his control of a complex mix of inspiration, insight, and experience. And one other thing: his enthusiastic embrace of technology in the pursuit and realization of vision.

Cynthia Boylan  |  Jul 27, 2015  |  0 comments

In this video (brought to you by B&H Photo and currently available on YouTube) photographer Chris Nicholson provides a wide variety of pro level tips and tricks to help you get the most from your next visit to one of America’s beautiful National Parks. Captured during a photography workshop, this video has a runtime of nearly one hour and includes sample images, advice on the best places to explore and what to bring with you. 

Cynthia Boylan  |  Jul 24, 2015  |  0 comments

The below instructional video from longtime pro photographer Moose Peterson is from a few years ago but if you haven't seen it yet, it has some great advice on how to capture gorgeous landscape photos.

Cynthia Boylan  |  Jul 13, 2015  |  0 comments

Photographer and writer, Jaymi Heimbuch has a profound interest in wildlife and nature. Her goal is to create images that trigger an emotional connection with viewers, and which spur us all to be stewards of nature. Through her work, Heimbuch hopes to spark wonder, respect and appreciation for animals.

Blaine Harrington  |  Jul 03, 2015  |  0 comments

You might say that images from distant, exotic locations are the stock and trade of a professional travel photographer, and certainly in my case you’d be mostly right. Those images pay off commercially and artistically, and when I can make them in places I’ve never before visited, they provide the added satisfaction of exploration and discovery.

Josh Miller  |  Jul 01, 2015  |  0 comments

I think I speak for nearly every photographer when I say going to a new location excites me, especially if it is one I have dreamed about for years. We all dream of these once-in-a-lifetime photo adventures. But the truth is for most photographers, the majority of our shooting is actually done in locations that are closer to home and allow us to return more regularly.

Chuck Gloman  |  Jun 30, 2015  |  0 comments

The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.

Barry Tanenbaum  |  Jun 02, 2015  |  0 comments

We assumed the first thing Jim Graham does in order to create his elegant landscape images is decide how to isolate his subjects from distracting backgrounds to achieve the always-desired single subject, clearly defined.

We were wrong. The first thing he does is ask himself: What do I see? Then he asks: How do I use the camera to communicate the feeling I have about what I see?

 

Josh Miller  |  Jun 01, 2015  |  1 comments

Telephotos have always been bread-and-butter lenses for photographers shooting everything from commercial and sports to wildlife and landscapes. The ability to separate a subject against its background or pull in a distant scene has made telephoto lenses a staple in nearly every camera bag around the world.

Cynthia Boylan  |  Mar 06, 2015  |  0 comments

The Canon Digital Learning Center is now offering free tutorial videos hosted by world-renowned bird photographer Arthur Morris. Arthur demonstrates which techniques, gear and settings he uses to create artistic photos of birds and other wildlife.

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