Nature Photography How To

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Ron Leach  |  Feb 13, 2024  | 

This 10-minute Lightroom lesson from the PHLOG Photography YouTube channel explains the importance of proper tonal adjustments when editing landscape photographs that appear boring and dull—an uninspiring look you want to avoid at all costs.

Ron Leach  |  Feb 13, 2024  | 

Every so often we stumble upon a photo with breathtaking colors that appear natural but seem almost impossible to achieve. Shots like this often involve more than being at the right place at the right time, as you'll see in the quick tutorial below.

Ron Leach  |  Feb 12, 2024  | 

A solid understanding of Lightroom's powerful masking tools is essential if you want to edit outdoor photographs for maximum impact. Unfortunately, some photographers spend far too much time getting the job done because they overcomplicate the process.

Ron Leach  |  Feb 08, 2024  | 

Have you ever noticed unsightly color fringes along the edges of objects in your photo's? If so, join the club. Also known as Chromatic Aberration, these artifacts are a sure way to spoil an otherwise nice shot.

Ron Leach  |  Feb 07, 2024  | 

This tutorial is a perfect follow-up to a lesson we posted this morning, explaining how to capture stunning photos of the nighttime sky. Whether you're photographing nightscapes or other low-light scenes, high ISO settings and the possibility of noisy images is something you have to confront.

Ron Leach  |  Feb 07, 2024  | 

Are you one of those photographers who only shoots during the day? If so, you're missing out on a wide range of amazing photo opportunities, from sparkling cityscapes and dramatic light trails, to moon shots and much more.

Ron Leach  |  Feb 06, 2024  | 

There are a variety of reasons that unnatural color casts may appear in in your outdoor photographs, and when they do they can really spoil a shot. Fortunately, whether you're dealing with unwanted blue, green or magenta tones, there's a straightforward way to eliminate them in in Lightroom.

Ron Leach  |  Feb 06, 2024  | 

Have you ever returned from a day in the field, reviewed your photos on the computer, and asked yourself, "What was I thinking in shooting this image?" Like often happens you may have captured a scene that looked awesome through the viewfinder, but your images are boring at best.

Ron Leach  |  Feb 05, 2024  | 

Let’s face it: Processing images is often an arduous time-consuming task, regardless of the software you use. Another truth is that most photographers would rather be out shooting than sitting behind a computer.

Ron Leach  |  Feb 02, 2024  | 

If you're unfamiliar with Lightroom's powerful masking filters, you've come to the right place. That's because these easy-to-use too will make a huge difference in the quality of your post-processing results.

Ron Leach  |  Feb 02, 2024  | 

Most photographers strive to "get it right" in the camera so they don't have to resort to serious post processing to fix the image. Unfortunately that's often difficult—if not impossible—when shooting outdoor scenes with a wide range of tones that exceed the density range of their cameras.

Ron Leach  |  Feb 01, 2024  | 

Bright blue featureless may be great for a trip to the beach, going on vacation, taking a bike ride, or hiking in the great outdoors. But when it comes to nature and landscape photography, well, not so much.

Ron Leach  |  Jan 31, 2024  | 

Here's something that occurs all too often when composing images in the field: We tend to ignore what's right in front of our face, and instead we concentrate on accentuating the midrange and background of a shot.

Ron Leach  |  Jan 31, 2024  | 

Landscape photographers constantly grapple with complicated, messy scenes that have a wide range of tones, whether their shooting at sunrise, sunset, or in the middle of the day. As a result it's not uncommon to return home with a few images that would be spectacular were it not for the fact that they're seriously underexposed.

Ron Leach  |  Jan 30, 2024  | 

We're all looking for a creative edge when editing outdoor photos captured in difficult light. One goal is to create images with maximum impact, and the other is to accomplish that task in way that makes our imagery stand out from the crowd.

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