Lens News

What's the ultimate lens for street photography? What's the worst lens? Could the 24-70mm F/2.8 be both good and bad for shooting street? All these questions (and more) are answered in the below video from photographer Pierre T. Lambert.

When shooting street photography, you're supposed to be quiet, unobtrusive and discreet, right? So, naturally, you should use compact fast prime lenses that don't attract much attention. But what if you wanted to use a long zoom lens, such as a 70-200mm? Impossible?

The Sony FE 24-70mm F2.8 GM and Tamron 28-75mm f/2.8 Di III RXD lenses share a similar focal length, and both can be used with Sony's full frame mirrorless E-mount cameras. But they differ dramatically in price.

The story here is not that you should carry a wide-angle lens—or even better, several of them. I carry two or three wide-angle lenses routinely, and like me, I'm sure you realize their value and their importance. This lens how-to story is about ideas for how you can use them to maximize their creative potential and their stunning effect.

The Technical Imaging Press Association (TIPA), which includes over two dozen imaging member magazines from around the world, has announced its choices for the best photo products of 2019 in 40 different categories. Editors from TIPA's member magazines recently met in Bangkok, Thailand to pick the just announced winners. We've included 23 of the 2019 photo gear award winners below, with write-ups and product images provided by TIPA.

You don't, necessarily, need a fancy and pricey lens with a fast aperture to shoot an image with attractive background blur, aka bokeh, for portraits. In the below tutorial from Unmesh Dinda of PIXimperfect, he shows you the "key" to simulating shallow depth of field in Photoshop.