Tamron unveiled the new the SP 35mm F/1.4 Di USD (Model F045) for full-frame DSLR cameras this morning. The new fixed focal length "prime lens," which was announced as under development in February, is designed to celebrate the 40th anniversary of Tamron's SP Series lenses.
What's the ultimate lens for street photography? What's the worst lens? Could the 24-70mm F/2.8 be both good and bad for shooting street? All these questions (and more) are answered in the below video from photographer Pierre T. Lambert.
There's more to shooting landscapes than wide-angle lenses. In fact, wide-angles are often less effective when shooting vast landscapes because they simply capture too much of the scene. If you want to photograph landscapes with interesting composition and impact, try a telephoto lens, according to photographer Mads Peter Iverson.
When shooting street photography, you're supposed to be quiet, unobtrusive and discreet, right? So, naturally, you should use compact fast prime lenses that don't attract much attention. But what if you wanted to use a long zoom lens, such as a 70-200mm? Impossible?
Tamron just announced the launch of a new zoom lens, the 35-150mm F/2.8-4 Di VC OSD (Model A043), for full-frame DSLR cameras. The new Tamron 35-150mm lens goes on sale May 23, 2019 in a Nikon mount version, and June 20, 2019 in a Canon mount version for $799.
The Sony FE 24-70mm F2.8 GM and Tamron 28-75mm f/2.8 Di III RXD lenses share a similar focal length, and both can be used with Sony's full frame mirrorless E-mount cameras. But they differ dramatically in price.
Portrait and wedding photographer Julia Trotti loves prime lenses. In fact, she known for stocking her camera bag exclusively with primes whenever she heads out on shoot.
The story here is not that you should carry a wide-angle lens—or even better, several of them. I carry two or three wide-angle lenses routinely, and like me, I'm sure you realize their value and their importance. This lens how-to story is about ideas for how you can use them to maximize their creative potential and their stunning effect.
It’s Macro SmackDown! If the cost were the same, which Olympus macro lens would you buy for your Micro Four Thirds mirrorless camera, the 60mm f/2.8 or the 30mm f/3.5? We shot with both and came to a conclusion that might surprise you.
The Technical Imaging Press Association (TIPA), which includes over two dozen imaging member magazines from around the world, has announced its choices for the best photo products of 2019 in 40 different categories. Editors from TIPA's member magazines recently met in Bangkok, Thailand to pick the just announced winners. We've included 23 of the 2019 photo gear award winners below, with write-ups and product images provided by TIPA.
It's an eternal debate amongst photographers: do you prefer shooting with prime lenses or zoom lenses? Of course, it's completely subjective to say which one is better but it's always fun to discuss.
You don't, necessarily, need a fancy and pricey lens with a fast aperture to shoot an image with attractive background blur, aka bokeh, for portraits. In the below tutorial from Unmesh Dinda of PIXimperfect, he shows you the "key" to simulating shallow depth of field in Photoshop.
Buying the right lens for landscape photography is harder than it seems, mostly because there are so many options. According to photographer Mark Denney, it's hard for beginners to narrow down the choices.
If you were considering buying Nikon's much hyped Z7 and Z6 cameras, now's about as good a time as any. For a limited time, these two new full frame mirrorless cameras come with a free FTZ lens adapter from several online retailers including Amazon and Adorama.