Pro Techniques

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Roger W. Hicks  |  Mar 01, 2010  | 

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

Jack Neubart  |  Feb 01, 2010  | 

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

Ted Kawalerski  |  Feb 01, 2010  | 

When I began this project—what has since evolved into something much more than I originally imagined—it was a hobby.

Chris Maher and Larry Berman  |  Feb 01, 2010  | 

David Hume Kennerly has led an amazing career as a photojournalist. In 1968 he photographed Robert Kennedy at the California presidential primary moments before he was gunned down at the Ambassador Hotel.

Jon Sienkiewicz  |  Feb 01, 2010  | 

For all practical purposes, you can narrow your film scanning options down to four choices. There are three types of scanners: drum, flat-bed, and dedicated film scanner. The fourth alternative is to have your film scanned by a professional lab.

Maynard Switzer  |  Jan 01, 2010  | 

My route to travel photography was not direct, but looking back, I realize the direction was set fairly early.

While attending the Art Center College of Design in Pasadena, California, I got a chance to spend a semester break photographing in Arkansas at the oldest bluegrass festival in the US. I never forgot how much I’d enjoyed photographing the festival and the local...

Roger W. Hicks  |  Jan 01, 2010  | 

We have all had the experience of looking at old photographs that transport us back to a different age, whether it is 20 years ago, or 120. It can be very tempting to try to recreate a vintage look, whether for a particular emotional effect or simply because we can. But what are the actual differences, and how can we recreate them?

There are at least 10 answers or groups of answers...

Jon Sienkiewicz  |  Dec 01, 2009  | 

The guy at the camera store told you that a filter is “cheap insurance against fingerprints and expensive repairs” but was he really looking out for your best interests?

Hugh O. Smith  |  Nov 01, 2009  | 

Pinhole photography, long popular in Japan and China, has caught on with a vengeance here in the US.

Tim Verthein  |  Nov 01, 2009  | 

Hopefully you haven’t thrown out your old TLR. I don’t mean your Yashica-Mat, or your Minolta Autocord, or even your Mamiya C330.

Jack Neubart  |  Nov 01, 2009  | 

Shooting professionally since the 1970s, San Diego-based Marshall Harrington (www.marshallharrington.com) has employed various processes and techniques, film and digital, that give him a competitive edge. In my book, Location Lighting Solutions (Amphoto), Harrington described his work as “visual semiotics,” explaining...

Jody Gomez  |  Oct 01, 2009  | 

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Robert E. Mayer  |  Oct 01, 2009  | 

If you are relatively new to photography and have only digital cameras along with newer digital-oriented versions of major accessories, everything you have should be compatible and work properly together. But if you have been actively involved with photography for many years through the film-based era, you undoubtedly have older accessories designed for use with film cameras that you would also...

Joe Farace  |  Oct 01, 2009  | 

Much of my portrait and fashion photography is done on location, but living in a place like Colorado the models (and the photographer, too) just aren’t always in the mood to stomp around in the cold weather and snow. That’s when a studio comes in handy. Some photographers just prefer having complete control over the lighting. Instead of the hassle and cost of renting a studio, why not...

Jon Canfield  |  Sep 01, 2009  | 

Well, things have gotten much easier with Hahnemhle’s Gallerie Wrap. Available in Standard and Professional systems, the kits include everything you need to create a gallery wrap canvas print in about 5 minutes.

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