Show Reports

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Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

There’s a new kid on the block when it comes to tripods, and they’re impressive, both in design and philosophy. Redged was founded in Holland by a nature photographer (Ed Dorrestein) and a sports and reportage photographer (Bart Bel) in order to get the kinds of tripods they personally wanted.

 

We weren’t the only ones who were impressed. This was...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Countless things appear at photokina that are not cameras, lenses, tripods, bags, materials, or lighting and studio. It’s part of the magic of the place. Calling this category “accessories” won’t do, because for most of us, “accessories” consist mostly of small things in blister packs: cable releases, lens caps, that sort of thing. At photokina, it can...

George Schaub  |  Jan 01, 2011  |  0 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  1 comments

The weirdest camera at the show, the GFAE, wasn’t even recognizable as a camera, not least because it was a view camera with the bellows left out in order to show its construction more clearly. We’ll come back to it later, but first, let’s look at some more conventional offerings.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

One of the great things about photokina is that you find a lot of “straws in the wind”: not necessarily major introductions from major manufacturers, but intriguing indicators of which way the wind is blowing.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

In all probability, most photographers could gain more from investing in lighting equipment than from investing in new cameras. Not professionals, perhaps, though studio lighting continues to come on in leaps and bounds, but countless amateurs could greatly improve both the range and quality of their work.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Let’s be honest. One thing no one would have expected at photokina was a unique new black-and-white silver halide process. But that’s what we got. Well, not exactly brand new. It’s a revival of a technology that hasn’t been seen in decades, quite possibly not in the lifetime of many of our readers: direct reversal paper.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Let’s consider, to start, the humble camera strap. Several models of sling strap were shown, designed to carry the camera over your shoulder and under your arm or even on your hip.

Jon Canfield  |  Jun 01, 2010  |  0 comments

The big news is the availability of the new standard in Secure Digital (SD) memory—SDXC. SDXC is currently supported by only a small number of cameras, like the Panasonic GH1 (not surprising given that Panasonic is one of the main proponents of the new memory format). The cards look physically the same as SD and SDHC cards, but they have a new format that promises large data storage...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Jack Neubart  |  Jun 01, 2010  |  0 comments

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

Robert E. Mayer  |  Jun 01, 2010  |  0 comments

This year we’re seeing a surprising number of new ringlights plus lots of accessory light modifiers, dedicated cords, flash brackets, and continuous LED lights which are helpful when making videos with multipurpose D-SLR cameras.

Aputure’s Trigmaster makes controlling a studio strobe or Speedlight wirelessly easier at distances of up to 300 feet with 16 different...

Jack Neubart  |  Jun 01, 2010  |  0 comments

This year saw few major product launches in studio lighting, although we did manage to uncover some interesting lights and accessories nonetheless.

Dot Line Corp./RPS Studio introduced the Complete 7-in-1 Reflector. This folding reflector comes with a translucent panel, white, silver, sunlight (a mix of gold and silver), and gold reflectors, plus an 18 percent gray target for...

Jon Canfield  |  Jun 01, 2010  |  0 comments

Most of the software news for 2010 was featured in our March issue, but we have some quick updates to share.

Nik Software is best known for its Photoshop plug-ins. They have expanded beyond this with support for both Apple’s Aperture and Adobe’s Lightroom now in all of their products. One new addition worthy of mention is Viveza 2. If you’re not familiar with...

Jon Canfield  |  Jun 01, 2010  |  0 comments

There are a couple of new printers aimed at the event photographer market, and there are plenty of media options as well for snapshot to fine art printers. And, the photo book industry is taking off—there were more book printing options available than ever before, both for the portrait/wedding photographer with companies like Fujifilm, HP, Kodak, and Lucidiom all having offerings in both...

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