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Portrait and wedding photographer Julia Trotti is back with another prime lens comparison test. In April, we shared with you her video comparing a 35mm lens with a 50mm lens for travel photography.  And now she's comparing those two lenses for portrait photography in the below tutorial.

Last week we wrote about What The Lens, a new website designed to help Canon shooters choose the lens that’s best for their style of photography. If that brand-specific tool left you in the dark fear not, because the video below provides some great advice on lens choice regardless of the camera you own.

What do you get when you compare three classic prime lenses: the Canon 85mm F/1.2, 85mm F/1.4, and F/1.8? Photographer David Flores found out when he recently put the Canon EF 85mm f/1.8 USM, Canon EF 85mm f/1.4L IS USM, and Canon EF 85mm f/1.2L II USM lenses through their paces in a portrait shootout on New York City’s Coney Island.

Ask any experienced landscape photographer to identify the most important tool in his bag, and the answer is likely to be, “My ND filter.” Or more accurately, “My set of ND filters.”

The sky is  usually a critical element of nature scenes, landscapes, and many other photos you capture in the field, and here's what post-processing expert Matt Kloskowski says about this matter: "Before we can even work on the sky, we need to understand how to mask it before applying various tools and enhancements."

I’ve always been a strictly DIY print guy and have done my fair share of printing over the years, but I’ve recently seen some intriguing print presentations by friends and associates—on aluminum, bonded under acrylic glass, on textile or canvas—that I could never produce in my studio. As I researched the idea I decided it was time to check out a custom lab that could broaden my print options.

To explore the old adage that great photography isn’t just about the gear, the folks at Mango Street put together this interesting and amusing challenge between a pro using an entry-level Canon Rebel T3i with a kit lens and an amateur armed with Canon’s high-end 5D Mark IV and pro-quality 35mm f/1.4L II USM lens.