Photoshop How To

Many nature and landscape photographers strive for vibrant, saturated colors when editing their work because they think that this approach makes their images "POP." The truth is, however, is that a heavy-handed approach with improper tonal balance often has the opposite effect.

We're always on the lookout for straightforward post-processing tricks that will give images a unique look and make them stand out from the crowd, and this tutorial from Instructor Julieanne Kost does exactly that in less than five minutes.

Have you ever captured a great image, edited it perfectly, uploaded it to the web or made a print, and then said to yourself "that's not how I remember this photo looking after post processing?" If so, it's possible that the Lightroom Export settings were incorrect for the way you intended to share the shot.

Whenever Adobe updates their software  it seems like one or two features grab all the headlines, like Photoshop's recent Lens Blur capabilities. At the same time, other powerful tools tend to be overlooked as you'll see in this tutorial from our friends at PiXimperfect .

We all strive to capture photos in which the primary subject of a scene is full of detail and properly exposed. Today, however, you'll learn a different approach whereby the subject is shy on detail but full of drama and impact.

Shutterbug readers are always enthusiastic about Julieanne Kost's post-processing tutorials because of her vast knowledge of all things Adobe and her uncommon knack for simplifying seemingly complicated concepts and task. In the next four minutes she demonstrates a foolproof method for enhancing images with Lightroom's Presence Sliders.

If you've ever tried removing extremely complex objects from an image, you probably tried doing so using Generative Fill. It's likely that the results you received weren't up to par because Gen Fill often delivers poor results no matter how many times you try. In fact, in some circumstances like this one it may even replace objects rather than eliminate them.