Photoshop How To

Lately we've been featuring tutorials that highlight the versatility of older post-processing tools that have fallen by the wayside as Adobe continues to add new headline-grabbing features to Photoshop, Lightroom, and Adobe Camera Raw (ACR). We're doing this again today in the following video that describes why you should take another look at the efficient High Pass filter sharpening tool.

Abobe has provided photographers with exciting new features for removing distractions as Photoshop continues to evolve, and we've covered most of them in the past. But as all of us become enamored with these innovative capabilities we tend to ignored older tools that can still be very helpful.

Nighttime photography can be a lot of fun because it provides numerous opportunities to capture compelling images in the field or on the street. Familiar scenes that may appear boring during the day are transformed into magical tableaus once the sun drops below the horizon.

It's not often that a helpful post-processing trick slips by Adobe impresario Matt Kloskowksi, and there's a good chance that you may have missed it too. This technique isn't exactly new but it's quick, easy, very effective, and it's takes barely five minutes to learn.

Don't be fooled by the brevity of this tutorial from instructor Steve Arnold because he insists that his handful of editing tips are essential for every landscape photographer to understand. He says he was unaware of all five techniques when first getting started with post processing, and the quality of his work suffered as a result.

The task of accurately setting the white and black points during post processing refers to adjusting the brightest and darkest tonal values of a photograph to achieve a full range of tones from pure white to pure black. This tutorial from the Photo Masters YouTube channel explains how to get the job done for perfectly balanced images.

Adobe has updated Lightroom to version 14.3 and there's lot to unpack as you'll see in our upcoming tutorials. Today's episode is devoted his one "huge" new feature landscape photographers have been awaiting that's been available in other post-processing software for some time.