Lens News

Some landscape photographers always shoot with a wide-angle lens, while others occasionally turn to a telephoto. Some insist on using prime lenses, while others prefer the versatility of zooms.

Landscape and travel photographers often prefer to shoot with wide-angle lenses—either a fast prime or a more versatile short zoom. In this tutorial you’ll see why one pro takes the later approach and learn some of his tricks.

When heading out for a day of landscape photography, chances are you reach for a wide-angle lens—or perhaps one in the 70-200mm range. But if you want to create images with a unique look, it’s time to consider using a super-telephoto instead.

One reason mirrorless digital cameras are so popular is that with an appropriate adapter you can use just about all of the great vintage glass that’s lurking in the back of your photo cabinet. And, if like me, you own a Pentax DSLR, you can mount just about any lens Pentax ever made, with no adapter required.

A lot goes into making captivating portraits, and we regularly post tutorials on lighting techniques, camera settings, and how to pose and direct models. Today’s episode has a narrower focus; namely, taking a look at how lenses of three popular focal lengths perform with regard to several important imaging characteristics.

It’s easy to make a pinhole camera. Making a good pinhole camera, on the other hand, is damn hard. And it’s even harder to make a pinhole lens for a digital camera. But wouldn’t it be fun to create the intriguing effects only a pinhole aperture can produce?

Lensbaby, legendary manufacturer of creative effects lenses, has invented the Lensbaby Obscura, a digital camera lens that accurately and precisely produces the same amazing results of not one but three different pinhole mechanisms.

It might seem counterintuitive, but you should really try using a telephoto lens to shoot landscape photos rather than just a wide-angle lens.