Earlier this month we began posting weekly installments of a remarkable new 10-part Lightroom masterclass from our friends at Phlog Photography. Episode #1 covered basic tools for beginners, while Part 2 was all about using masks.
Photography, like most artistic endeavors, is all about experimentation and practice. Put another way, the best photographers have the courage to try new things, make mistakes, and learn how to avoid them in the future.
Motion blur is a very popular technique in which slow shutter speeds are used to give photos a sense of movement, and appropriate subjects span the gamut from flowing water, clouds blowing across the sky, and even action shots of athletes. This effect can be achieved in the camera or during post processing.
Some photographers spend a lot of time fretting about aperture settings, and how they affect depth of field (DOF) in their photos. In today’s quick tutorial you’ll learn why it’s not necessary to worry about aperture as much as you think.
Have you ever returned from a vacation to a popular city, or to an iconic destination in the great outdoors, only to realize that your images look pretty much the same as those shot by everyone else? In the quick tutorial below you’ll learn simple techniques that are guaranteed to make your photos stand out from the crowd.
We’ve posted countless landscape tutorials in the past—some with so-called “rules” of composition, and others with tips from top pros. And guess what? Many of these lessons include very similar advice.
Many photographers limit their use of Photoshop’s Crop tool to simple tasks like making subtle adjustments to the composition of a shot, or getting in tighter on the main subject of a photo that was captured without the use of a telephoto lens.
Landscape photographers know that the sky in a scene can make or break a photo. Soft billowing clouds make for compelling imagery, as do dark, threatening skies that evoke a dramatic sense of doom.
All photographers strive to create photos with accurate focus, and most of us prefer to get things right in the camera. This saves time during the editing process, and helps avoid the temptation to take things too far—ending up with an unsightly, “crispy” effect.
There was a time when lens flare was considered a negative attribute of photos shot outdoors. Often caused by using a lens with inferior coatings (or no coatings at all), flare can also result from failing to use a lens hood when shooting on sunny days (depending on your position relative to the sun).