DSLR News

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Ron Leach  |  Jan 05, 2022  | 

Have you ever wondered about the difference between compressed and uncompressed Raw files, or asked yourself if there’s really a difference at all? If the answer is “Yes,” the video below is for you.

Ron Leach  |  Dec 27, 2021  | 

If you’re a regular visitor to our website you know that many of the tutorials we post are designed to improve your skills and help you “shoot like a pro.” And sometimes that means upgrading to a camera with pro-level features.

Ron Leach  |  Dec 14, 2021  | 

The first thing most photographers do after buying a new camera is to invest in a second battery, and the immediate quandary is whether to buy an expensive OEM product or purchase a bargain-priced battery that supposedly offers equal or better performance.

Ron Leach  |  Dec 13, 2021  | 

We regularly turn to British pro Nigel Danson for expert tips on capturing compelling landscape and travel photos. Today’s tutorial is a bit different, as he foregoes a discussion of gear and shooting techniques, and reveals what he says are the best exposure settings to use.

Ron Leach  |  Dec 02, 2021  | 

Conventional wisdom has always been that zoom lenses can’t compete with fixed focal length glass for most forms of photography. So when a respected pro asks, “Are zoom lenses just better than primes,” we stop and pay attention.

Ron Leach  |  Nov 29, 2021  | 

Now that we’re nearing the end of 2021, it’s natural to reflect on all the exciting innovations we’ve seen over the past year. But the interesting video below is all about tomorrow and beyond, rather than today or the past.

Ron Leach  |  Nov 22, 2021  | 

NY pro David Bergman regularly responds to queries from fans, and his responses often result in very helpful tutorials. Today’s question is a common one that you may have asked yourself: ”On cameras that you can switch between full-frame and APS-C crop modes, is it the same as using a longer lens.”

Ron Leach  |  Nov 15, 2021  | 

Have you ever returned from a shoot, thinking you captured a bunch of great shots, only to be disappointed when you review the images on a computer? Well, join the club, because this happens to the best of us on occasion.

Ron Leach  |  Nov 10, 2021  | 

Camera manufacturers take pride in how many focus points are available in new models, and the number seems to be increasing with every introduction. From a user’s perspective, the phase “more is better” often rings true.

Ron Leach  |  Nov 02, 2021  | 

For those on a budget it’s tempting to purchase an inexpensive 2X teleconverter to double the focal length of a lens you already own, instead of spending big bucks on a powerful super-telephoto zoom. But does this really make sense in terms of image quality, or are you better off just cropping your photos?

Ron Leach  |  Nov 01, 2021  | 

It‘s no secret that there’s been a dramatic shift from DSLR to mirrorless camera systems on the part of consumers and manufactures alike. But some photographers are hanging on to their trusty DSLRs for making certain types of images.

Ron Leach  |  Oct 26, 2021  | 

For those new to wildlife photography, birds provide a great opportunity for capturing impressive images. If you’re lucky enough to have a wildlife refuge nearby, that’s a great place to start. But you can also make some great photographs in your own backyard.

Henry Anderson  |  Oct 19, 2021  | 

Is it necessary to have an expensive professional camera to shoot boudoir photography? Or is it possible to get by with just an entry-level, beginner camera for boudoir?

Ron Leach  |  Oct 18, 2021  | 

By now you probably know that the current trend in camera technology is strongly in favor of mirrorless models. In fact, apart from Pentax, all manufacturers are avoiding new DSLR models while continually upgrading their lineup of mirrorless cameras and lenses.

Ron Leach  |  Oct 01, 2021  | 

The current trend in cameras is clearly moving in the direction of full-frame mirrorless models with super-high resolution, and the megapixel race shows no signs of abating. But is this based upon sound photographic principles, or does creative marketing and the “Gear Acquisition Syndrome” factor into the equation?

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