The history of photography and camera technology is littered with controversies about the “best” way to capture an image. For a while shooters questioned the value of autofocus, then there was a debate regarding the quality of digital images vs. those shot with film.
Capturing images of your travels involves many of the same techniques used when shooting other forms of outdoor photography. But there are a few extra considerations to keep in mind if you want optimum results.
In today’s mobile-obsessed society there’s one thing we carry with us at all times (even if we forget to bring our wallet). And that’s the smartphone we use for everything from checking the weather, keeping up to date on social media, and taking photos when a “real” camera isn’t available. Some folks even use their phones to make telephone calls.
Landscape photographers typically reach for a wide-angle lens when shooting in the field. But as you’ll see in the tutorial below from one of our favorite outdoor photographers, doing that unnecessarily limits the type of images you capture.
Life isn’t always a bowl of cherries, and neither should be your landscape photos—especially of you want them to stand out from the crowd. The Lightroom tutorial below demonstrates how to give images a moody, gloomy look.
We’ve posted numerous tutorials in the past explaining why so many accomplished photographers prefer to shoot in Raw, or set their cameras to capture both a Raw file and a JPEG every time they press the shutter button.
Accomplished landscape photographers often use slow shutter speeds to capture dramatic images with a sense of motion. Unfortunately, some less-experienced shooters mistakenly consider this technique beyond the scope of their skills and equipment.
Last month we posted a popular tutorial explaining a simple fix for what one pro calls “a huge problem when using any of Lightroom’s Healing tools in tandem with masking. Todays lesson, designed primarily for beginners, is an overview of how these tools work to eliminate unwanted artifacts and other distractions in your photos.
Dynamic Range is an important concept that most photographers claim to understand. But ask for an explanation of exactly how it works, and you may receive a blank stare. The quick tutorial below from the popular Booray Explains series covers everything to know about how Dynamic Range affects your photos.
There’s one sure way to take your photography to the next level: Shoot images with a totally different look from those you’ve captured in the past. You can do this by switching up the subject matter, trying a different technique, or composing images from an unusual vantage point—either high or low.
All photographers are looking for an edge when it comes to shooting in mixed light outdoors, where there’s often a wide range of tones from bright highlights to deep shadows. While arriving at a balanced exposure can be challenging in these situations, there’s a way to use varying light levels to advantage.
Sorry to spoil your afternoon with what one imaging expert calls a “huge” problem for those who process photos in Lightroom. But don’t despair because you’ll learn about this dilemma and how to fix it in barely five minutes.
High Dynamic Range (HDR) is an important technique that enables you to shoot or edit photos that appear more like what one sees with the human eye. The concept involves balancing out light and dark areas of a scene to capture more detail in both highlights and shadows.
Noise in digital photos can seriously degrade image quality, especially when shooting with budget gear, in much the same way grain is annoying in film photography. There are several editing techniques for cleaning up noisy shots, but today’s topic is banishing these ugly artifacts as much as possible in the camera.
Dodging and burning is a traditional darkroom technique that can be used with great success using software in today’s digital era. These easy-to use tools enable you to selectively adjust different areas of an image to arrive at a balanced exposure.