Nature Photography How To

There are enumerable methods for processing landscape photos to create just about any effect you can imagine. When intense colors are what you're after, the tutorial below from the PHLOG Photography YouTube channel explains how to get the job using the favorite method of a top German pro.

All landscape shooters know that the quality of light can make or break a photo. In fact, sometimes an uninspiring scene photographed with spectacular illumination has more impact than an epic scene shot during harsh, midday sun.

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

When making color adjustments in post-processing, Saturation plays a big role, whether you're after a realistic representation or something more unusual. We have some good news for those of you who use the Curves Adjustment tool to refine Saturation: Earlier this month Adobe added a very small adjustment that can pay big dividends by tackling a common problem with this approach.

Instructor Matt Kloskowski is a specialist in all things Adobe, who says his goal is "to provide straightforward tutorials to help photographers get the results they've always wanted," and this episode fits the bill. He jumps right in to Lightroom's Tone Curve panel and demonstrates how the new capability works.

Kloskowski begins by demonstrating the most common approach, that involves boosting the highlights and mid-tones a bit and then dropping the shadows by grabbing the relevant points on the Curve. This method, unfortunately, often results in oversaturation.

But here's the trick, now you'll find a simple Refine Saturation slider beneath the Curves graph that simplifies the fix because it's no longer necessary to employ Blend modes to get Saturation right. Kloskowski uses a tight shot of a vibrant hummingbird against a green background to demonstrate how easy this is to do.

This quick trick works with all sorts of photos, and Kloskowski pulls up a pretty seascape scene to prove this point. As you'll see, in this case he's able to retain the desired amount of contrast, without oversaturating the shot—simply by moving the slider. Whether you prefer light pastel colors, or a more vibrant look, the new tool gets the job done in a hurry.

After watching the video how about pulling up a few images you've already processed and see what you can create by using Kloskowski's advice. We think you may be surprised at how simple and effective this is to do.

You can find a wide range of editing tips and tricks on Kloskowski's instructional YouTube channel, so be sure to take a look.

We also recommend watching the tutorial we posted from another accomplished pro, with an in-camera technique for using complimentary colors to capture eye-popping photographs.

Ask any landscape photographer to name two filters they can't live without, and the answer is likely to be a polarizer and a neutral density (ND) filter. The video below concentrates on the former, explaining how this affordable tool can really add impact to just about any image you shoot outdoors.

All landscape photographers love shooting at Golden Hour when the sky is usually filled with amazing colors. But what should you do when the sky is covered with "boring" thick clouds, or you have to shoot at other times of day?

Conventional wisdom has it that we should always shoot at the lowest ISO setting permitted by the situation at hand. But as you can see from the quote in the lead photo above, some pros beg to disagree. In the interesting tutorial below, you'll learn three reasons why increasing ISO settings can actually help you capture better images.

Are you struggling to get correct exposures when shooting landscapes and other outdoor scenes? Well, join the club, because this can be a real challenge with ever-changing light, and a wide range of tones from highlights to shadows.