Nature Photography How To

We all face a compromise when making multiple photos of the same scene. On the one hand, the more images you shoot the better the odds that you'll capture exactly what you want. The flip side of the coin is that the time you spend during the culling and editing process increases dramatically when you just lay on the shutter button and fire away.

Yesterday we posted a very helpful tutorial describing five common shooting errors made by novice photographers and how to avoid them. Today's lesson from the Sightseeing Stan YouTube channel takes a similar approach with regard to post-processing mistakes that can easily ruin your images.

Yesterday we featured a straightforward guide to using Selective Exposure adjustments to get the light right in complicated images with a wide range of brightness levels throughout the frame. Today's tutorial from another image-editing expert demonstrates how to take a similar approach with Lightroom's powerful Selective Color tools.

Correct technique is essential for fast and precise focus, and sometimes it's necessary to give your camera some help. That's because if you focus on the wrong spot within the frame, all is lost before you snap the shutter—even if you use a high-end pro camera with a premium lens.

The quick video below is one of those "I wish I knew this before" tutorials with a super-simple technique for enhancing photos in a way that's almost too good to believe. It works in both Lightroom and Photoshop, takes barely 10 minutes to learn, and you can start using it today.

Every so often we come across a Lightroom tutorial that reveals a quick trick that you absolutely shouldn't miss. In this case it's what one expert calls a "secret Lightroom feature that that can really supercharge your workflow." Best yet, it takes less than two minutes to explain and can dramatically enhance just about any image you capture.

Object removal is one of the staples of editing images for simplicity and maximum impact. Maybe you want to eliminate the proverbial fence post emanating from a subject's head, or get rid of other equally distracting elements that detract from a shot.