Buyer's Guides

Maniacal about making backup copies of photos and video footage like I am? Then this baby is for you. When set to RAID 1, the SanDisk Professional G-RAID MIRROR drive automatically duplicates data onto a second built-in drive as it's stored to provide worry-free data redundancy.

Our new Choosing Wisely series aims to deliver concise, summarized information about products we think you'll like. You can read what Choosing Wisely wrote about the SanDisk Professional G-RAID MIRROR external hard drive here.

Capturing “the decisive moment” is more than just clicking the shutter at the right time and it’s more than luck, too. It’s an artful combination of experience, talent, and preparation. Being prepared for the unexpected is just as important to photojournalists and documentary photographers as it is to a Scout and that includes selecting and using gear that can be deployed at that right time, even if preparing for a single shot or two takes several hours. Some of these tools may be obvious while others not so much.

You don't have to be a prepper to take precautions against foul weather. Photographers have special needs when Nature is on the warpath. Here's a 10-point equipment checklist that may save your bacon when the forecast calls for imminent disaster.

Sports photography shares much in common with capturing images of wildlife: You’ve got an active scene captured at a distance requiring specialized equipment and knowledge of the subject’s activities while anticipating what they are going to do next…or not. Sure, you’ll need fast, long focal length lenses but you will also need camera supports and other gear that along with specialized knowledge separates the virtuosos, like Regis Lefebure (regislefebure.com), from the wannabes. Here’s a look at some of our favorite tools of the sports trade.

It's a new year and time to take a fresh look at accessories that make photography more fun.

We all know nature and wildlife photographers need long focal length lenses but they’re not the only ones who need a longer-than-normal lens. While the only wildlife I have photographed are the mule deer who treat my backyard like it’s their backyard, I’ve photographed a racing car from time to time and that’s when a telephoto or long zoom lens comes to the rescue.

When people asked legendary editor Herbert Keppler why he sometimes wrote about cameras costing more than the average photographer could afford, he told me it was because of the Maserati factor. “Most people,” he said, “can’t afford a Maserati but like reading about them.” And I get that. My personal dream car is a 1961 Maserati 3500 GT, which sells for north of $450,000. Fortunately, medium format cameras, while expensive, cost less than that.