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The Epson Stylus Pro 7900; A 24” UltraChrome HDR Ink Set Printer
Jon Canfield  |  Jul 01, 2010  |  0 comments

Among digital photographers who are looking for quality prints with a good archival life, odds are that you’ll hear the Epson name mentioned, including the 13” R2880 and 17” and larger Stylus Pro printers. The Epson line is known for excellent quality output on a variety of media types, as well as a long archival life through their pigment inks. Recently, Epson added two new...

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The Finer Things: Our 7 Favorite Pieces of Gear for Fine Art Photography
Joe Farace  |  Sep 05, 2017  |  0 comments

One of the hallmarks of fine art photography is the production of archival prints. Which begs the question, does the social media generation care about a print’s longevity or photographic prints at all? Maybe that changes when you drop five figures on a fine art print or hire a high-end photographer to create a portrait you expect to last as long as a traditional silver-based print.

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The Goods: Our Favorite New Premium Photo Gear
The Editors  |  Sep 04, 2015  |  0 comments

(The Goods is a new feature in Shutterbug that spotlights the hottest premium photo gear out there.)

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The Goods: Our Favorite New Premium Photo Gear
Staff  |  Jul 05, 2016  |  0 comments

The Goods spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.

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The HiTi S420 Dye Sub Printer; Compact Printer Handles Many Inputs For 4x6 Prints And More
George Schaub  |  Aug 01, 2008  |  0 comments

Small, 4x6 dye sub prints have their uses, for quick prints of snapshots, for making thumbnail contact sheets from a memory card or CD, or even printing out smaller images on sheet cards for passport, bus pass, or ID cards. They become personal photo kiosks, if you will, making trips down to the store unnecessary when you just want a quick print from your image files. They also...

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TIPA Awards 2009
The Editors  |  Aug 01, 2009  |  3 comments

The best imaging products of 2009 were voted on at the Technical Image Press Association (TIPA) General Assembly held from April 2-4, 2009 in Budapest.

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Top Products of the Year: 40 Imaging Products Picked By TIPA As Best Photography Gear Of 2015
George Schaub  |  Sep 25, 2015  |  0 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2015 in Dubai, United Arab Emirates.

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Top Products of the Year: We Team Up with TIPA to Pick the Best Photo Gear of 2016
George Schaub  |  Aug 23, 2016  |  1 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2016 in San Francisco, California.

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Where to Print: Outputting a Unique NASA Poster Using WhiteWall’s Online Lab Services
Dan Havlik  |  Apr 27, 2017  |  0 comments

It’s no secret that the online photo lab WhiteWall is one of our favorite services for making gallery-worthy prints of our favorite images. Back in 2015, Shutterbug Editor-at-Large George Schaub reviewed WhiteWall’s services for our website and came away impressed. WhiteWall has also received a TIPA “Best Photo Services” award in the past, and I’ve, personally, used them for printing a number of my photos on a variety of surfaces including acrylic and metal and have been very pleased with the results.

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WhiteWall Review: Online Photo Lab Offers Creative Print Options to Make Your Images Gallery-Ready
George Schaub  |  Nov 12, 2015  |  0 comments

I’ve always been a strictly DIY print guy and have done my fair share of printing over the years, but I’ve recently seen some intriguing print presentations by friends and associates—on aluminum, bonded under acrylic glass, on textile or canvas—that I could never produce in my studio. As I researched the idea I decided it was time to check out a custom lab that could broaden my print options.

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